We're Back and Better Than Ever! Bronzeville Art District voted #2 Best Art District's

"Art is Business" https://10best.usatoday.com/awards/best-arts-district/.


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10 best arts districts in the US for a creative escape
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What makes an arts district inspiring? They might be revitalized and renewed urban spaces in once-derelict neighborhoods, filled with big-name museums that feature architecture as impressive as their art. Alternatively, they could have streets lined with small galleries and studios, interspersed with trendy cafes. 
You'll find that and more in these 10 winning arts districts, nominated by an expert panel and voted on by readers as the best in the U.S. These districts feature vibrant and diverse arts scenes that culturally enrich their cities and visitors.

No. 2: Best Arts District

2025

Art

Photo courtesy of Raymond Thomas Studios

Just 10 minutes from downtown on Chicago's South Side is the historic Bronzeville Art District, once known as the city's "Black Metropolis." This art district has a rich cultural legacy — the source of Muddy Waters' blues and Gwendolyn Brooks' poetry. Art galleries are housed in restored Graystones, and new murals tell stories alongside historic bronze markers. Third Fridays bring extra energy to the area, as galleries stay open late. Trolley tours of the district are a great way to get to know the area better.















Pop Up Research Station: CSU-Sacramento Highlighting Faculty and Student Research Activities

"Art is Business" February 07, 2025, By Jennifer K. Morita
https://www.csus.edu/news/newsroom/stories/2025/2/sankofa-research-team.html..
A student-led research team preserves and documents a collection of over 600 African cultural items.

A student-led research team preserves and documents a collection of over 600 African cultural items.

Cailah Edwards, left, and Robin Kelly-Dunton are part of the student-led Sankofa Research Team at Sacramento State, working to catalog more than 600 African artifacts. The preservation effort offers students on the team hands-on experience while helping future generations connect with African cultural heritage. (Sacramento State/Andrea Price)

More than 600 African art pieces donated to Sacramento State are helping students explore the past and share aspects of African culture with future generations.

The student-led Sankofa Research Team – named after the Ghanaian symbol of a bird stretching its long neck to look back and retrieve the past – is cataloging, archiving, and preserving each piece under the guidance of Ethnic Studies Professor Clarence George III and Anthropology Museum Collections Manager Karen Dively.



A Sac State professor handles an African artifact during a cataloging project.
Karen Dively, Sacramento State's Anthropology Museum Collections Manager, examines one of more than 600 African artifacts being cataloged and preserved to help students explore and share African cultural heritage. (Sacramento State/Andrea Price)


The unique project is not just providing Sac State students with hands-on experience researching and cataloging artifacts. It will also serve as a way for the students and the wider community to learn more about African culture and history.

"I'm just over-the-moon proud of what these scholars have done," George said. "This is a massive project, and none of it gets done without my students and their passion to share these things with the world."

Plans are underway for an exhibit on campus, and students will eventually make the collection of baskets, drums, walking sticks, wood vessels, and utensils available to view online. They even have plans to bring some pieces into local schools.

Early-age exposure is something many of the students involved said they wish they could have had.

"I've never been exposed to pieces like these," Ethnic Studies major Robin Kelly-Dunton said. "Every library or museum I ever went to is mostly European art or European history. Being able to come in here and learn so much about these pieces, how they were acquired and about the people who used them, is fascinating.

"It keeps me in touch with the part of my culture I haven't had access to before."

Sacramento State's Ethnic Studies Department acquired the one-of-a-kind collection thanks to a chance encounter at Safeway three years ago.

"I was in my pajamas and I had forgotten my cell phone, but I was just there to grab a few items," George said.

One of his students was the cashier, who asked him about upcoming classes. Standing nearby was Shirley Finster, whose parents served as missionaries in Zimbabwe and had acquired a significant number of cultural items. Overhearing the conversation, she interrupted to ask if George would be interested in looking at her parents' collection.

"She and her sister, Connie, were getting up in age, and they really wanted to find a place that would save these pieces and preserve them for others to see, but nobody took on that challenge," George said. "The gravity of what she was telling me dawned on me, that she had this massive collection of African artifacts and art from her parents' experience on the continent."

He scribbled his phone number on her checkbook and asked her to call him in 15 minutes, enough time for him to get home. Exactly 15 minutes later, she called and invited him to see the collection.

"I wanted to give it to anyone who would find value in it," Shirley Finster, a retired school teacher, said. "Meeting Dr. George was so serendipitous because I didn't know how to find someone who had passion, and he's got passion.

"It's so nice that it will be in town, where I'm living, and I can go see it."

William and Esther Finster lived in what was then known as Rhodesia from the early 1960s through 1981, before the state gained its independence, raising their daughters while running youth hostels and establishing schools. The couple built looms and taught villagers how to weave doilies and textiles that could be sold to tourists. They also helped people get to health clinics and received gifts of thanks in return.

“We’ve been denied so much of our history growing up. I shouldn’t have to wait until I’m in higher education to learn who I am. I don’t want my kids to discover their history until they’re in their twenties. They should learn when they’re five.” -- J. J. Flores, Ethnic Studies prominent and Sankofa Research Team member

Over the years, the Finsters amassed a collection of handwoven baskets with handles and lids, walking sticks, drums, platters, spoons, and other tools from southern and central Africa.

"They're very diverse pieces," George said. "We have to properly identify artifacts for what they are and how they were used correctly and culturally."

A wooden mask with hand-carved facial features and hair made of yarn, believed to belong to a traditional healer, is particularly striking.

"What's cool is that some of the pieces have postcards or a little note from the person who made it or gave it to them as a thank-you gift," Dively said.

To form the Sankofa Research Team, George recruited students from a variety of academic backgrounds who were interested. Under Dively's instruction, the students are cataloging every item, tagging and assigning each one with a special number. They are also documenting each piece's details, filling out a form that includes a description, dimensions, any visible damages, and even a sketch.

Students are also researching the pieces to find out how they were used. One wooden dowel with carved decorative etchings is still under investigation.

"It's all student-led," Dively said. "I'm teaching them how to do the cataloging and find the information we need, but I'm relying on them to do the research. … These are all students Dr. George recruited, so they don't necessarily have a museum background. Some students are Business majors or from the Art department. Several are Ethnic Studies majors. There's someone from Computer Science."

Shirley and Connie Finster have visited the research team from time to time, going through the pieces with students.

"I was like, 'Pick their brains and take notes,'" Dively said. "The students have been really excited to see the objects. … They have a lot of enthusiasm."


Sac State professors pose with African artifacts as part of a cataloging project. 
A professor studies an African basket. 

Items from the African artifact collection being cataloged by a group of students sit on a table.
Members of the Sankofa Research Team pose.

Once the documentation is complete, the team will choose pieces for an on-campus exhibit. The rest of the collection will be archived and stored safely.





Eventually, each piece will be photographed, allowing the entire collection to be digitized and put online, so anyone with internet access can view it.

The team plans to bring a few of the sturdier pieces to local schools where children can touch and handle them while learning about African culture. They also hope to create digital learning modules that K-12 teachers anywhere can use to show their students.

Students were drawn to the project by the idea represented in the name Sankofa: reaching into the past to create a better future.

"I have an eight-year-old son, and I'm trying to get him engaged in our culture early on, because I didn't get that," Kelly-Dunton said. "So I'm exposing him to these things now. This is a wonderful way for me to learn myself and also pass this knowledge down to him."

Ethnic Studies major J. J. Flores was eager to join the research team and gain hands-on experience on a unique project.

"We've been denied so much of our history growing up," Flores said. "I shouldn't have to wait until I'm in higher education to learn who I am. I don't want my kids to discover their history until they're in their twenties. They should learn when they're five."

Although currently housed in the University's Anthropology Museum, the collection belongs to Ethnic Studies, a first for the department.

"It's been an awesome experience to bring these pieces to Sacramento State, where we can house them and take care of them and make sure they're appreciated and displayed for the world," George said.

Editor's note: This story has been revised to reflect an updated number of items in the collection and the planned exhibit's timing.

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Beautification Project Dedication and Fee Museum Day in Sacramento California



 About the Florin Road Community Beautification Project
The Florin Road Community Beautification Project, funded by Clean California, aims to improve a stretch of Florin Road from Tamoshanter Way to Franklin Boulevard. The project brings together community partners and stakeholders with a mission to reduce waste and debris, beautify and improve public spaces, and advance equity for the area's underserved communities. Florin Road has been adorned with updated landscaping, public seating, cohesive branding, and eye-catching art installations that vibrantly display the diversity and culture of the Meadowview neighborhood.

Project Highlights
One of the project's goals is to reduce the amount of waste and debris within the project area through
education, resources, and community clean-up efforts. The project funded a paid internship opportunity for local high school and college-aged youth to create waste reduction initiatives, partner with local business owners on waste reduction strategies, and collect and dispose of waste within the project area. Concluding in June of 2024, the internship resulted in the clean-up of 1,265,920 square feet of public space and the removal of 121 cubic yards of waste from the project area. Youth also created a public service campaign to raise awareness around the impacts of waste in our waterways and recreation areas, resulting in more than 252 million impressions. The project also funded upgrades to existing waste collection bins near transit stations.

Florin Road Community Beautification Project and provided information on Sunday, March 2nd. We hosted project partners and local officials who contributed to making the Florin Road Beautification Project possible for an artwork dedication ceremony at the Sacramento Regional Transit station at 3001 Florin Road, Sacramento, CA, 95822, from 10 a.m. to 12 p.m.
 
After the ceremony, the community received free bus rides to visit the artworks associated with the Florin Road Beautification Project. We also encourage individuals to enjoy a free visit to the Sojourner Truth African Heritage Museum from 10 a.m. to 4 p.m. in honor of Free Museum Weekend. The Sojourner Truth African Heritage Museum is an instrumental partner in the Florin Road Community Beautification Project, and the property surrounding the museum houses 18 incredible artworks made possible by project funding.  


 Councilmember Rick Jennings, II – SacRT Board Chair.
Councilmember Mai Vang - Councilmember for District 8, Councilmember Caity Maple, newly elected Mayor McCarty, and Assembly Member Stephanie Nguyen.

Jason Jong (he/him), Cultural and Creative Economy Manager
Office of Arts and Culture, Convention and Cultural Services Department, City of Sacramento

Welcome.
A $1.2 million grant from Caltrans made the Florin Road Community Beautification Project possible. This placemaking initiative aims to enhance a segment of Florin Road, extending from Tamoshanter Way to Franklin Boulevard, through public art, beautification efforts, community outreach, and youth engagement.

"The project provided new shade trees, public seating, updated landscaping, street banners, new community signage, innovative approaches to youth engagement, paid internship opportunities for college and high school-aged youth, and 29 amazing artworks like the ones you see behind us.
Today, you will hear from stakeholders, community partners, and officials who all played a key role in making this project possible."

Megan L. Van Voorhis, Director of Convention & Cultural Services • City of Sacramento
​We thank you again for your dedication and hard work, which made this project possible.


ELIZABETH CATLETT'S LEGACY IN SACRAMENTO, CA,  Alpha Bruton artist, 
SacRT Florin Station
Elizabeth Catlett (1915–2012) spotlighted a pivotal moment in her career, which was represented by the Sojourner Truth sculpture housed in the Crocker Art Museum, along with related prints. 

by Artist Alpha Bruton
Donaldson Properties Placemaking Parking Lot/Tamoshanter Entrance

MARGARET BURROUGHS, an artist advocate for art, founded the Southside Community Art Center, the DuSable Museum, and the African and African American museums. 

Location: Florin Road Transit Station, 3001 Florin Road, Sacramento, CA, 95822
Date: 3/2/2025
Time: 10:00am – 12:00am

Speakers:

• Councilmember Rick Jennings, II – SacRT Board Chair.
• Councilmember Caity Maple.
• Sergio Ochoa - Public Information Officer - Caltrans. (Project funder).
• Corey DeRoo - Executive Director - Florin Road Partnership.
• Christy Woods - Associate State Director - AARP.
• Shonna McDaniels - Founder and Executive Director of Sojourner Truth African Heritage Museum.
• Alpha Bruton- Florin Road Community Beautification Project manager and artist.
• Florin Road Community Beautification Project Artists – Henry Fisk, Taylor Pannell, Judah Pimentel.
 April Breis- Art Program Coordinator- Office of Arts and Culture.

Project assistant artist Xochitl Armién

Project assistant artist Xochitl Armién

 Sergio Ochoa - Public Information Officer - Caltrans. (Project funder)
Christy Woods - Associate State Director - AARP, • Councilmember Caity Maple.

Henry Fisk and Jahil Taylor Pannell

Teresa Gutierrez 

Unity Lewis

Henry Fisk

Malik Heru

Malik Hebu

Jahlil Taylor Pannell
Jahil Taylor Parnell

Paul Robeson by Lee McCormick

Marcus Garvey, by Lee McCormick


 Judah Pimentel, Josephine Baker

Jason Jong and Jahlil Taylor Pannell

April Breis, Art Program Coordinator, Office of Arts & Culture,  
Melissa Cirone, Grants & Programs Manager, Office of Arts & Culture, Shonna McDaniel's Executive Director, Sojourner Truth African Heritage Museum.

 Judah Pimentel, Anna Mae Wong










Sacramento History Museum Offers Two Exciting Ways to Celebrate Black History

"Art is Business"  Month Traci Rockefeller Cusack 2 Min Read

Museum Location:
The Sacramento History Museum
101 I Street
Old Sacramento, CA 95814
(916) 808-7059

Curated by Shonna McDaniel's, Executive Director 
Sojourner Truth African Heritage Museum

The Sacramento History Museum is excited to offer two engaging ways the community can celebrate Black History Month: experiencing a limited-time exhibit of triumph and enjoying a lively evening of Sacramento jazz and blues blended with Black history.

A History of African American Educators Exhibit – Now through March 30

In proud partnership with Sojourner Truth African Heritage Museum, the Sacramento History Museum has a special exhibit titled “A History of African American Educators.”  The culturally rich exhibit features two 19th-century teachers who prevailed against racial discrimination by breaking down discriminatory barriers to equal education. The exhibit provides a unique opportunity for visitors to experience what it may have felt like sitting in an early 20th-century classroom, to discover the challenges of segregated schools, and to learn about the triumphs of educators such as Elizabeth Thorn Scott Flood and Sarah Mildred Jones who broke barriers to provide free public education to all ages and races. This limited-time exhibit is included with Museum admission.

A Sacramento Jazzstory: West End Blues – Thursday Evening, February 27, 6-8 p.m.

To close out Black History Month, the Sacramento History Museum is pleased to present an evening of entertainment from the Harley White Jr. Orchestra, “The West End Blues,” offering an incredible blend of history and music. Guests will enjoy a lively evening where big-band jazz fills the air, setting the stage for a journey into Sacramento’s West End. In addition to the powerful music, Sacramento historian William Burg will weave in captivating tales from the lost neighborhood, bringing the stories of its vibrant community to life. With a mix of live music, compelling narratives, and historical photos, the event will highlight the triumphs, struggles, and untold stories of sacraments that have faded from memory. Tickets cost $50 for adults and $35 for members.

Traci Rockefeller Cusack
Traci Rockefeller Cusack has 25+ years of media and public relations experience.  Her work experience includes News10 (ABC) as Promotion Manager from 1989-1998 (where she developed and launched “Coats for Kids’ Sake,” a winter coat drive that lasted 20+ years plus coordinated Oprah Winfrey’s first ever visit Sacramento) and Fleishman-Hillard as Vice President from 1998-2005 (where she led the wildly successful statewide “California Grown” program and also produced the five-minute video that played on the Jumbotron on Opening Day at Pac Bell Park). In 2007, she launched T-Rock Communications and currently handles a wide range of marketing activities for a number of top-notch organizations.

Reimagining Black Identity, Strength, and Vulnerability Music Performance

"Art is Business"  February 21, 2025   



This art exhibit explores the multifaceted healing nature of Black identity, shedding light on the complex intersections of strength, vulnerability, history, and future within the Black experience. We invite artists of all mediums—visual art, sculpture, photography, performance, and beyond—to submit works that address the evolving narrative of Blackness in contemporary society.

The exhibit will showcase pieces that reframe traditional representations, inviting viewers to engage with themes of resilience, introspection, liberation, and the ever-shifting contours of identity. Artists are encouraged to challenge stereotypes and preconceived notions of Blackness, emphasizing the beauty and power of embracing vulnerability and quiet strength in moments of resistance, defiance, and healing.

We are looking for works that speak to the full range of Black-lived experiences, capturing both the triumphs and the struggles, the joy and the pain, the collective memory and individual expression. The exhibit aims to create space for reflection, dialogue, and healing while embracing the depth and complexity that define Blackness.

This exhibit will offer a new, unapologetically authentic, challenging, and transformative vision by reimagining Black identity healing, strength, and vulnerability. Artists are encouraged to draw upon personal narratives, cultural history, and current social movements to inspire their work, creating an environment where art becomes a tool for collective healing, liberation, and empowerment.

Phantom Gallery Chicago Network Moved to Speaker

"Art is Business"  https://www.spreaker.com/organization/phantom-gallery-chicago--13250816


Phantom Gallery Chicago is a project that examines the current changes in curatorial production, develops innovative displays, and hosts talks in virtual spaces. 

Throughout the years, BlogTalkRadio has been a staple in many households and has reached listeners worldwide since 2006. Bringing hosts, guests, and listeners together through conversation is a unique way of connecting with others while sharing news, telling stories, and getting information out to millions.We are so thankful for the support and creativity that you have brought to our platform.

While no other platforms offer the live guest call-in option, we want to let you know about our sister company, Spreaker, where we can place an easy redirect to ensure the safety of your podcast.

You can find us on our Pop Up Research Station and join the Public Think Tanks and Virtual CAFE.

I didn't get the memo that this platform was closing, effective January 31st, 2025, so I could download the MP3 to my external drive. BlogTalkRadio is no longer in operation, and we must say goodbye to you, our loyal users. This means that some of the data collected has been lost unless I transferred it to the Speaker. A reminder to download and save content onto backup drives. This website was also linked to our Internet Archives. I will need to upload the MP3s and another video recording MP4s from our ZOOM videos as a direct link instead of a link connected to a website, as these platforms are closing down.

You can also find our MP3 uploaded to the Phantom Gallery Chicago YouTube Studio. 




Exploring legacy: must-see Black History Month art and culture in Sacramento

"Art is Business"  SacObserver.com , by Solving Sacramento February 14, 2025
Sojourner Truth African Heritage Museum Founder Shonna McDaniels
 in front of a museum art display. The SOJO Museum in 
Sacramento is known for its extensive collection of historical Black art. (Photo by Diane Mitchell)

Founded by visual artist and community leader Shonna McDaniels, the Sojourner Truth African Heritage Museum is a cultural jewel housed in Sacramento’s Florin Square, a historic hub and marketplace designed around Pan-Africanism. 

Guided by the Ghanaian principle of “Sankofa” — meaning to “go back and fetch it” — the museum encourages visitors to delve into the past to better understand the present.

“We have to go back and fetch what was lost. Everyone needs to know about Africans' contributions to the world. Most people do not know the truth,” McDaniels said.

McDaniels’ journey to become an art activist began in childhood. “My parents believed having a strong sense of identity was essential. Our home was filled with Black art,” said McDaniels, who grew up in Sacramento. “I attended Shule Jumamosa [an African-centred school] in Oak Park in 1971, where we learned Swahili, celebrated Kwanzaa, and practiced African dance.”

A journey through history
A display depicts the Transatlantic Slave Trade on view at the 
Sojourner Truth African Heritage Museum. (Photo by Diane Mitchell)

Walking into the museum feels like stepping into a living timeline. It features installations that spark conversation. One standout is the “Golden Milk Project,” designed by McDaniels herself. This installation confronts the historical practice of enslaved African women being forced to breastfeed the children of their enslavers.

“There’s a strong connection formed when a mother breastfeeds her baby — recognizing the mother’s face, feeling nurtured and taking in all the benefits of the milk,” McDaniels said. “But these women’s own children were neglected, as they were denied the same nurturing from their mothers.”

Youth docent and Sacramento City College student Myana Myrica in the 
Sojourner Truth African Heritage Museum. (Photo by Diane Mitchell)

This installation is one of many exhibits at the museum that offers a powerful and unique portrayal of the Black experience — and youth docents are often onsite to provide their insights into the space.

Youth docent and Sacramento City College student Myana Myrica often begins her tours by encouraging visitors to breathe in preparation for the heavy emotions the museum may evoke. “Breathing and being in the space with each other allows us to feel connected and know we’re not alone,” she said. 

The museum’s visual journey begins in ancient Africa, with statues depicting ancestors, animals, and deities, symbolizing humanity’s origins. Some art installations also challenge current narratives of the transatlantic slave trade, such as Lee McCormick’s mixed-media piece portraying the harrowing journey of enslaved Africans, a haunting reminder that Africans in the Americas were stolen and did not immigrate here merely as workers.

Why it matters
Despite the cultural and historical significance of the SOJO Museum — the only of its kind in Sacramento that focuses on Black history and art — increased patronization could help its longevity, according to McDaniels.


Ancient African Art at the 
Sojourner Truth African Heritage Museum (Photo by Diane Mitchell)

“We need everyone involved to ensure the museum is being supported. Currently, we do not have it,” McDaniels said. “We’re the only museum of this nature training children as docents. Now, our efforts are being duplicated around the world.”

“As we enter a time when accessing information about diverse people or thoughts is being challenged, exposure to art and literature becomes even more critical,” artist Daphne Burgess, whose work “Snappin’ Beans” is displayed at the museum, said. “Spaces like the Sojourner Truth African Heritage Museum are essential, and Black History Month is the perfect time to support them.

Sojourner Truth African Heritage Museum is open to the public Thursday through Saturday from 12:00 p.m. to 5:00 p.m


Art beyond the museum
For those seeking even more artistic engagement this Black History Month, 
Sacramento offers two other significant events:

The “Golden Milk Project,” designed by Shonna McDaniels, is an installation at the Sojourner Truth African Heritage Museum that confronts the historical practice of enslaved African women being forced to breastfeed the children of their enslavers. (Photo by Diane Mitchell)

August Wilson's Fences will be at Celebration Arts from Feb. 14 to March 2. This powerful play explores the complex dynamics of race, family, and dreams deferred. Known for its gripping storytelling, Fences is a must-see for those who appreciate theatre’s role in social commentary.

Gerald “GOS” Simpson's “Urban Abstractions: A Solo Exhibition” is on view at Arthouse on R Gallery & Studios from now through March 3. Simpson’s work explores urban life through vibrant colors and abstract forms.

Arthouse on R Gallery & Studios is open Monday, 10 a.m. to 2 p.m., Tuesday through Saturday, 10 a.m. to 4 p.m. and Sunday, 11 a.m. to 4 p.m.

This story was funded by the City of Sacramento’s Arts and Creative Economy Journalism Grant to Solving Sacramento. Following our journalism code of ethics and protocols, the city had no editorial influence over this story, and no city official had reviewed it before it was published. Our partners include California Groundbreakers, Capital Public Radio, Outword, Russian America Media, Sacramento Business Journal, Sacramento News & Review, Sacramento Observer, and Univision 19. Sign up for our “Sac Art Pulse” newsletter here.

Phantom Gallery CHI

We're Back and Better Than Ever! Bronzeville Art District voted #2 Best Art District's

"Art is Business" https://10best.usatoday.com/awards/best-arts-district/ . Readers' Choice Awards 2025 - View the Results 10 b...