Inside Creative Development Solutions

"Art is Business" Building OG Café © 2026, Vanessa Stokes. All rights reserved.



One of the questions I hear most often is, "How's the café coming?"

The answer is: we're building.

Not just the building itself, but the organization, the partnerships, the financial foundation, and the creative practice that will sustain it for years to come.

This past month has been one of the most productive periods since Outwest Gallery & Café began. I completed my final pitch for the Capital Impact Partners Equitable Development Initiative, refined our capital campaign strategy, updated project budgets, continued advancing architectural planning, and submitted additional grant applications to support both the café and its public programming.

While construction is still ahead, every conversation, every grant, every drawing, every budget revision, and every relationship is part of building Outwest Gallery & Café.

Development begins long before the doors open.

 
Inside Creative Development Solutions

Over the past month, I've been developing the philosophy and intellectual architecture behind Creative Development Solutions. What began as years of experience across community development, cultural organizing, public art, cooperative development, and institution building has now become a coherent framework that guides my work.

In the months ahead, I'll be sharing more about the Creative Development Model, Community Engagement as an Art Practice™, and the public practices that continue to shape this work. This is only the beginning.

Work With Creative Development Solutions
Every meaningful project begins with a question.

Sometimes it's a new idea you can't quite articulate. Sometimes it's a decision that feels bigger than you expected. Sometimes you know where you want to go—you just can't yet see the path.

That's where Creative Development Solutions comes in.

I partner with artists, founders, nonprofit leaders, institutions, developers, and community builders to create the conditions that allow ideas, organizations, and places to become what they are capable of becoming.

Current Creative Development Experiences
Creative Discovery Session™ — $300

A focused conversation to help clarify an idea, opportunity, challenge, or next step. Whether you're just beginning or feeling stuck, you'll leave with greater clarity and a meaningful direction forward.

Creative Visioning Session™ — $2,000

A deep, immersive experience designed to transform vision into strategy. Together we'll define what you're creating, establish meaningful outcomes, identify the conditions for success, and build a roadmap for moving your work forward.

Creative Development Advising™

An ongoing strategic partnership for leaders, organizations, artists, and institutions seeking thoughtful guidance as they build meaningful work over time.

If you're building something that matters, I'd love to explore how we might work together.

Reply to this email to start the conversation.

Summer Time CHI FISH FRY

"Art is Business" EVENTBRITE 


Friday, August 21, 2026 from 6:00 PM to 8:30 PM (CT)
8:30 PM - 10:00 PM social
436 E 47th St 2nd fl • Chicago IL

Join us on the 2nd-floor rooftop during the Bronzeville Art District Trolley Tour for an old-school Chicago fish fry where food, art, music, and community come together

Family-friendly activity at the Phantom Gallery Chicago Open Studio: 6:00 PM - 8:00 PM.




From Westside Review

"Art is Business"© 2026 Vanessa Stokes. All rights reserved.

A Note About This Work
Many of the ideas, frameworks, practices, and methodologies shared throughout this publication are original works developed through Creative Development Solutions. They represent years of practice, observation, documentation, and refinement, and continue to evolve through ongoing work in the community.
This month's featured article is Community Engagement as an Art Practice™.

In this article, I explore the idea that community engagement is more than a strategy for gathering input. It is a creative practice rooted in listening, curiosity, relationship, and shared authorship. When we approach engagement as an art practice, we move beyond participation toward creating conditions where people can meaningfully shape the places they call home.

Read an excerpt below, then subscribe to Westside Review on Substack and read the full article online.

Artists work with paint, clay, photography, movement, words, and sound. Increasingly, I have come to understand my own medium as relationship, conversation, observation and presence. The act of showing up and paying attention. Community engagement, at its best, is not outreach or public participation. It is the creative practice of witnessing.

 

Vanessa Stokes from Substack article “Community Engagement as An Art Practice™”
 
From Westside Lens
Stories don't belong to one person.

Over the coming months, Westside Lens will document the people, places, conversations, and everyday moments that make our neighborhoods extraordinary. Through short films, photography, interviews, and visual storytelling, we'll capture development as it happens—not just in buildings, but in relationships, creativity, and community life.

Westside Lens is also an invitation.

If you're photographing Austin, writing reflections, documenting neighborhood history, or simply noticing the beauty of everyday life, I'd love to hear from you. In the future, there will be opportunities for community members to contribute photographs, stories, poems, essays, and other creative work that helps tell the story of our neighborhood from the inside out.

The lens belongs to all of us.

Click here to subscribe to Westside Lens

 
Growing the Garden
A few weeks ago, I claimed my plot at Harambee Garden. Before I planted a single seed, there was work to do because the weeds had taken over.

I filled five burlap bags before I could even see the soil beneath them. Then I added fresh topsoil, returned a few days later, and finally planted tomatoes, onions, peppers, and herbs.

Gardens have a way of reminding us that development cannot be rushed.

The ground has to be prepared to make room for what wants to grow. That is intention. Then there is the waiting game, tending, observing and trusting in the process. 

One of my favorite moments happened before I even finished planting. I met someone I'd only known through Facebook, and we spent time talking about community and what it means to create spaces where people genuinely belong.

That conversation stayed with me and in many ways, it became part of what is now emerging as Westside Conversations: Living Studio.

Sometimes development begins with a seed and sometimes it begins with a conversation. Often, they're the same thing.

 
Ways to Participate
If this work resonates with you, I'd love your support.

I'm currently raising funds to launch Westside Conversations: Living Studio, expand my ongoing community engagement practice, and continue building the public programming that will one day live inside Outwest Gallery & Café.

Your contribution helps create spaces where neighbors can gather, artists can lead, stories can be documented, and new possibilities for our community can emerge.

Whether you make a donation, share the campaign with a friend, subscribe to Westside Review, or simply forward this newsletter, you're helping build something that belongs to all of us.

Thank you for being part of this journey.

— GoFundMe

 
Looking Ahead
August marks the beginning of a new chapter.

Here's what I'm looking forward to sharing next month:

The launch of Westside Conversations: Living Studio.

A new essay in Westside Review.

Continued fundraising and development updates for Outwest Gallery & Café.

More from the evolving Creative Development Model and Creative Development Solutions.

New opportunities to participate in community conversations and creative practice.

The work continues to grow, and I'm grateful to have you walking alongside me.

 
Until next time...
The studio is always open.

The practice continues.




Outwest Gallery & Cafe - July 2026 Progress Update

"Art is Business"  Building More Than a Café © 2026 Vanessa Stokes. All rights reserved.



From the Living Studio
For the past several years, many of you have followed the journey of Outwest Gallery & Café. You've read newsletters, supported grant campaigns, attended events, shared ideas, and encouraged this vision as it has continued to grow. One thing I've noticed recently is that many people assume we're already open. In a way, they're right.

While the doors to the café have not yet opened, the work has never stopped. The institution has already been taking shape.

That realization led me to create this new series: From the Living Studio.

A living studio is more than a physical space. It is a practice. It is a place where ideas are developed in relationship with people, community, observation, experimentation, and reflection. Rather than waiting until something is finished to share it, a living studio invites others into the process while it is unfolding.

Development often brings to mind construction sites, architectural drawings, and large capital projects. Those are certainly forms of development, but they are not the only ones.

Gardens develop, neighborhoods develop, artists develop, relationships develop, organizations develop. Even an idea has to be cultivated before it can take root in the world.

Every meaningful act of development asks something similar of us: patience, curiosity, attention, care, and the willingness to try, observe, learn, and begin again. Rarely does anything meaningful emerge fully formed. It grows through practice.

Over the past month, I have been given something I haven't had in a long time: the space to pause and reflect on decades of work. I've spent countless hours writing, diagramming, asking questions, testing ideas, and connecting experiences that at one time felt separate. Community engagement. Media. Institution building. Cooperative development. Leadership. Public art. Neighborhood practice. Cultural development.

What surprised me wasn't discovering something entirely new. It was realizing that I had been practicing the same philosophy all along.

For years, I simply called it my work.

Today, it has a name: Creative Development Solutions™.

Creative Development Solutions isn't a new direction. It is the language that finally brings together the work I have been practicing for decades. It is a philosophy rooted in the belief that development is a creative act—that communities, organizations, institutions, and people all develop through intentional practice, thoughtful engagement, and continual learning.

This realization has brought tremendous clarity. It has also created a foundation for everything that comes next.

Over the coming months, I'll be sharing more about the ideas, methodologies, and public practices that are emerging through this work. You'll hear more about Community Engagement as an Art Practice™, Field Practice™, Living Studio™, Media as a Civic Practice™, and the Creative Development Model™. These aren't just concepts. They are practices that are already shaping how Outwest Gallery & Café is being developed and how I'll continue working alongside communities in the years ahead.

The first public expression of this next chapter will be Westside Conversations: Living Studio, a series of community gatherings launching this August in Austin. Together, we'll create spaces for conversation, inquiry, creativity, and shared learning. More details will be announced soon, and I hope you'll join us.

This month has also been an exciting one for Outwest Gallery & Café. We've continued refining our capital campaign, strengthened our development strategy, completed new grant applications, and advanced the planning needed to move this project closer to construction. Every one of these milestones is another step toward opening a permanent cultural home on Chicago's West Side.

As we move into this next phase, we're also relaunching our fundraising efforts. If you believe in this vision, I invite you to share our campaign, tell someone about the project, and consider making a contribution. Every act of support helps move this work forward.

Thank you for walking alongside me through this journey. Your encouragement has carried this vision farther than I could have imagined.

This is only the beginning.

Welcome to the Living Studio.

— Vanessa Stokes
Founder, Outwest Gallery & Café
Founder, Creative Development Solutions


Women's Suffrage Mural Downtown Fresno California by Will Portis

"Art is Business" Mural honoring women's suffrage unveiled in Fresno by Miranda Adams.

Posted: May 1, 2026 / 06:32 PM PDT/ Updated: May 1, 2026 / 06:33 PM PDT

The artwork can be found at 1350 M Street and was sponsored by the League of Women Voters of Fresno through the Measure P Arts Grant.

FRESNO, Calif. (KSEE/KGPE) – A new mural celebrating the history of women's suffrage will be unveiled in Fresno on Thursday.

The large and colorful piece was created instead of the 19th Amendment events that were canceled in 2020 due to COVID. However, from the temporary setback, a mural was born that will live on to honor the suffragettes who worked to guarantee the rights women have today.

The local artist who painted the mural, Will Portis, also used the opportunity to emphasize the years of grassroots efforts for voting rights by populations originally excluded from citizenship. 

Will Portis began his career in art while still in high school as a display artist for the Goodrich Tire & Rubber Company. Since then, he has created hundreds of works of art, both for commercial clients and as a private fine artist. Mr. Portis is an accomplished portrait artist and a master of landscape art. In addition to his paintings on canvas, Mr. Portis' work can be seen on the numerous murals he has completed over the years.







Will Portis, who describes his style as "natural realism" and "abstract realism," has been hailed by many as a modern renaissance artist. His paintings have been noted for their dramatic lighting and for bringing out the character of his subjects.

Mr. Portis attended the University of Akron for Fine and Commercial Arts and holds a Master's Degree in Education. In addition to being a working artist, Mr. Portis is also available for private instruction.
Studio Location


4866 E. Florence St.
Fresno CA 93725
Phone/Fax: 559.485.4626
Cell: 559.906.3090
willportis@yahoo.com

2026 Bronzeville Art District Trolley Tour!

"Art is Business"  https://www.bronzevilleartdistrict.com/coming-soon-01


Cultural tourism is a core value for the Bronzeville Art District (BAD) partners. We offer tourism experiences that let visitors participate in local cultural activities, such as festivals and art walks. This provides an opportunity for visitors to enjoy a genuine cultural exchange with the local Bronzeville Neighborhood. We invite you to join us on the 3rd Friday of each month, from June through September, for the Bronzeville Art District 3rd Friday Trolley Tour. You can ride the double-decker buses throughout the community to visit five galleries, art institutions, and art studios. Enjoy fantastic art, music, live entertainment, and more!



BRONZEVILLE ART DISTRICT (B.A.D.)
 
CHICAGO – Bronzeville is again a focal point for Chicago's vibrant African American culture.  Like Harlem in New York, Bronzeville is a community where Chicago's African American music, Literature, Fine Art, and Theater historically thrived.  The Bronzeville Art District (BAD) currently comprises five established visual art spaces that work together to focus and drive cultural activities in the community, so that a distinctive cultural identity can be crystallized and communicated.

For more information on the five participating galleries, please check out their websites below:

South Side Community Art Center (Under renovation until 2027)




Elaine Crossley- From the Archives of the PGCN

"Art is Business"


Alpha  Bruton Private Collection 1996
oil on canvas
30 x 26 inches
Biography
Born October 3, 1925, in Cincinnati, Ohio, she was creative and intellectually curious. She began writing poetry before later taking up drawing and finally painting. Bound to her pragmatic parents, Crossley wanted to major in art and attend the Cincinnati Art Academy, but was persuaded to pursue home economics at the University of Cincinnati, which she did, all the while continuing to draw and paint. Crossley took art courses at the Art Institute of Chicago while living in Chicago with her husband, Frank Crossley, from 1952 to 1966. He was a metallurgical engineer who minored in fine arts himself and encouraged his partner's artistic interests. After moving to California, she studied ceramics and jewelry making.


BLACK ART AUCTION
Historically Important African-American Art

ARTIST
Crossley, Elaine (1925-1996)
Description
Frank
1961
oil on board
30 x 26 inches
signed and dated


Elaine Sherman was born in Cincinnati, Ohio, and initially studied home economics at the University of Cincinnati.  In 1950, she met Frank Crossley, a metallurgical engineer from Chicago.  The two had a whirlwind romance and married the same year.  

Elaine studied and exhibited at the Art Institute of Chicago.  The work included in this auction, Frank, 1961, is clearly directly connected to her husband, although the interpretation remains somewhat subjective.  Elaine chose to exhibit this work in 1963 at the Art Institute of Chicago's Sixty-sixth Annual Exhibition by Artists of Chicago and Vicinity (label verso).  The couple lived in Chicago from 1952 to 1966.

Crossley identified the core of her artwork:  "[It comes from an] ancient art form, originating in Sudan, and used in much of ceremonial and ritual design in African artifacts…I am a Black woman who paints what she feels, thus expressing and sharing her Black experience.  - Brock & Co Fine Art

The couple moved to Palo Alto, California, and in 1986, lived near Granite Bay, Sacramento.  Elaine continued to paint and exhibit throughout her life.

Phantom Gallery in Ramstein Germany
















This is a space I'm considering for a phantom gallery project.
There are several other closed art galleries in the Village of Ramstein.
Simba Mediterranean Gallery



















I ventured into the Ramstein-Miesenbach Museum, which is currently hosting a special exhibition, "African American Civil Rights in Germany," until July 19.

"Afroamerikanische GIs und Deutschland", "African American GIs and Germany".
The exhibition chronicles the little-known history of African American GIs' experiences in Germany and the significance of their deployment to the advancement of the civil rights movement in the US. It presents the first results of a joint research initiative of the German Historical Institute, Washington, D.C., Vassar College (Poughkeepsie, NY), and the Heidelberg Center for American Studies (HCA) at the University of Heidelberg in co-operation with the DOCU Center Ramstein.

Sometimes in life, one comes full circle. I remember, in 1971, being a high school student, going underground to attend meetings that supported the Black Panther Party. We circulated petitions to free Angela Davis, a Fresno farmer who put up his farm to make her bail. That was my indoctrination into the Pan-African Peoples Revolutionary Party and into activism. The exhibition also highlights the Black Panther Movement in Germany, the freeing of the Ramstein 2, with posters and black-and-white photos of key Panther members.

www.aacvr-germany.org

Call for Artists: "City as a Studio- Curb Appeal"

"Art is Business" 



Call for Artists: "City as a Studio- Curb Appeal" Opening: October 7

Curator: Gabriel Patti

Are you tired of the typical tourist attractions in Chicago? This exhibition highlights urban scenes that you won't find in guidebooks. We'll showcase the beauty of back alleys, dive bars, underpasses, graffiti, and more through paintings, drawings, and photographs. Selected artists are invited to collaborate on large, primed sheetrock pieces, which will be completed during a live painting and performance event. The location will be announced soon. 

Please send your images to gjpatti@gmail.com.

Obama Presidential Center is officially open to the public.

"Art is Business"  OPC
The Obama Presidential Center is more than a landmark—it's a new space of possibilities. Built on the South Side where the Obamas' journey began, this 19.3-acre campus was designed with you in mind. Find inspiration in a one-of-a-kind Museum, dive into a story at the public library, or hang with friends on the Great Lawn. From around the block to across the world, this is your home for hope and change. 



Learn about Mark Bradford's artistic practice, his commissioned artwork on campus, and his materially driven approach to abstraction. The discussion will be moderated by Louise Bernard, Founding Director of the Obama Presidential Center Museum.

Mark Bradford: Layers of America
Tue, July 7

Hear how Mark Bradford works with everyday materials and learn about his commissioned artwork at the Museum.



Mark Bradford is a contemporary artist known for large-scale abstract works made from layered paper and found materials. His work explores the social and political forces that shape history and experience. A MacArthur Fellow, he represented the U.S. at the 2017 Venice Biennale.

June's Bronzeville Trail Framework Plan open house

"Art is Business" https://www.chicago.gov/city/en/sites/bronzeville-trail-framework-plan/home.html


Save the date for June's Bronzeville Trail Framework Plan open house

The June 3 event will provide updates on a community-led, long-term planning process to create a trail and green space atop the former Kenwood rail embankment between Lake Park Avenue and State Street.

Stop by any time between 5:30 and 7:30 PM at Wendell Phillips Academy High School, 244 E. Pershing Road.

Register to attend or visit the Bronzeville Trail Framework Plan website


Overview

The Chicago Department of Planning and Development (DPD) and the Department of Transportation (CDOT) are seeking community input on the proposed conversion of the Kenwood embankment into an elevated trail and green space.

The embankment was used by the Kenwood branch of the city's rapid transit system between 1907 and 1957, when it linked Bronzeville to the Union Stock Yards, the Loop, and other destinations. Countless South Side residents used the line for daily commuting and transit needs, contributing to the thriving cultural, spiritual, and professional identity of the greater Bronzeville neighborhood. Almost no evidence of the former stations or tracks remains beyond the embankment's concrete walls, with wild vegetation covering most of the surface.

A long-term, community-led visioning process to improve the embankment and adjacent land was initiated in fall 2025 with the Bronzeville Trail Framework Plan. Led by DPD in partnership with the Bronzeville Trail Task Force, MUSE Community + Design, DePaul Institute for Housing Studies, and Nurture Architects, the framework could be finalized and presented to the Chicago Plan Commission for adoption in early 2027 as a formal guide to planning decisions and public expenditures. As of early 2026, no timetable exists for a proposed trail project that is expected to require years to finance, design, and construct.

Sign up for email updates about public engagement opportunities during the framework process. 

Upcoming Events
The Bronzeville Trail Task Force is leading community participation in three public meetings through 2026 that will help ensure the vision for the trail and adjacent land reflects local goals. Times and dates to be announced in early 2026.

2026 Preservation Excellence Awards Chicago South Side landmarks

"Art is Business" 
https://www.chicago.gov/city/en/sites/preservation-month/home/2026-preservation-excellence-awards.html#Waters

2026 Preservation Excellence Awards: Chicago's top historic preservation projects, programs, and practitioners will be celebrated at DPD's third annual Chicago Preservation Expo on Monday, May 18, at the Chicago Cultural Center, 78 E. Washington St. Held in honor of Preservation Month, the awards showcase the best preservation work to advance through the Landmarks Commission's Permit Review Committee in the last year. The awards ceremony runs from 6–7 PM and will be emceed by WGN TV personality Ana Belaval. The awardees are listed below.

Muddy Waters House: 
Kenwood

Considered by many to be the "Father of Chicago Blues," Muddy Waters was one of the most important figures in the development of electrified blues music worldwide. His impressive list of awards and commercial successes includes sixteen R&B chart hits with Chicago's Chess Records from 1947 to 1975.  

Born McKinley Morganfield in 1913, Muddy's house on Lake Park Avenue was the only residence the musician ever owned in Chicago. It became an unofficial center of artistic activity for blues musicians. Band members, including Otis Spann, James Cotton, Little Walter, and Paul Oscher, stayed at the house, while lodging and food were also shared with traveling musicians such as Howlin' Wolf, Chuck Berry, and countless other artists.  

In 2021, the house was designated a Chicago landmark with the support of Muddy's great-granddaughter, Chandra Cooper, who owned the home and envisioned creating a museum inside. With assistance from a $250,000 Adopt-A-Landmark grant, as well as other financing and in-kind donations, Ms. Cooper focused on high-priority repairs to get the house ready for visitors. This included work on the historic masonry and new windows matching the original profiles. The bay on the front elevation was reclad to match its appearance when Muddy lived there, and extensive interior work was done, including an entirely new HVAC system. 

Future phases of the project will focus on museum programming, a jam space, an educational recording studio, and office space. When completed as the Muddy Waters Mojo Museum, the building will be a place for music, learning, and community events.  

The project team included Ed Torrez (Arda Design), Mike Mitchell (contractor), and the building's owner. Initial work was completed in 2026.

Roberts Temple Church of God in Christ, 4021 S. State St., Grand Boulevard
Grand Boulevard  (Bronzeville) 

The Roberts Temple Church of God in Christ building had an extensive history leading up to Emmett Till's funeral in September 1955. The church was built as a one-story structure by South Side architect Edward G. McClellan and later expanded in 1927 to include a large second-floor sanctuary. An additional full expansion was completed one year later, and a final remodel was completed in 1943.  

Roberts Temple is best known as the location of the funeral and visitation for Emmett Till after the 14-year-old was murdered by lynching in Mississippi. Mississippi authorities originally planned to bury Emmett locally. Still, his mother, Mamie Till Bradley, insisted that his body be brought home to Chicago for an open casket funeral and later, burial. Ms. Bradley requested that the funeral be held at Roberts Temple Church of God in Christ, with the Rev. Isaiah Roberts presiding. Emmett's death was widely covered by local and national press, and many Chicagoans were outraged by the murder of the young boy, wishing to pay their respects. At least 2,000 mourners assembled inside the church, and as many as 5,000 additional people gathered outside. The event was an important catalyst for individuals seeking social and political justice and equality for African Americans, and the building exemplifies the importance of Emmett Till's tragic death to the Civil Rights Movement in the United States. 

In the 1990s, the church's front façade was reclad in tan face brick. The church congregation wanted to honor its history and restore its exterior to how it looked at Emmett's funeral in 1955. Exterior work began in 2024, including masonry and window restoration of the front façade. The project team retained and recognized the distinct elements of the church's evolution across various periods, renewing its role as a place of worship and a center for education, reflection, and community engagement.  

The project team included Roberts Temple Church of God in Christ, Arda Design (architect), and Berglund Construction (contractor). The work received a grant from the National Trust for Historic Preservation's African American Cultural Heritage Action Fund to assist with project costs. 

Today, the building is a beacon of optimism that reflects its storied legacy and the history of greater Bronzeville.

Phantom Gallery CHI

Inside Creative Development Solutions

"Art is Business" Building OG Café © 2026, Vanessa Stokes. All rights reserved. One of the questions I hear most often is, "H...