Open Lands: Tree Planting in honor of National Arbor Day.

"Art is Business. 

On Arbor Day, the Village of Hazel Crest Beautification Commission hosted a Village Clean Up Day and Tree Planting, and the dedication of a new metal People Chair sculpture by artist Alpha Bruton at Art in the Woods. The event took place at the Hazel Crest Open Lands Arboretum on Saturday, April 25, 2026.

The afternoon included an outdoor digital photography workshop led by William G. Hill and a presentation on the AI-Narridin Plastic Woven Recycle Bag project, which covered the display logs.

Address:   Hazel Crest Police Department
 3000 W 170 Pl. Hazel Crest, IL 60429 
(Parking is available)

Installed at the Village of Hazel Crest Open Lands, Kedzie at 171st. 


Installation: April 18, 2026, Dedication of Sculpture: April 25, 2026, Village of Hazel Crest, Illinois
This is People Chair #29, of public art installations known as "Metal People Chairs," created by Shonna McDaniels, founder of the Sojourner Truth African Heritage Museum in Sacramento, California. Each chair in the collection honors artists of the Harlem Renaissance and the Works Progress Administration (WPA). 
The Harlem Renaissance marked the emergence of Harlem, New York City's Black cultural mecca in the early 20th century—a center of social, artistic, and intellectual flourishing. Lasting roughly from the 1910s through the mid-1930s, the era is widely regarded as a golden age of African American culture, expressed through literature, music, theater, and visual art.
The Works Progress Administration (WPA) was an ambitious employment and infrastructure program created by President Franklin Roosevelt in 1935, during the bleakest days of the Great Depression. Over its eight years of existence, the WPA put roughly 8.5 million Americans to work building schools, hospitals, roads and other public works. Perhaps best known for its public works projects, the WPA also sponsored projects in the arts—the agency employed tens of thousands of actors, musicians, writers and other artists.
The Hazel Crest Open Lands "Art in the Woods." This placemaking project is an exciting initiative that aims to transform our community's landscape by blending art with nature. This project seeks to engage residents throughout the process, inviting them to participate in both the design and installation of a captivating collection of sculptures. These artworks will serve as visual focal points and promote connection during community gatherings.

Pickup and delivery day at Peter N Gray Studio, young, enterprising artists to assist with movement. 
My family came out to celebrate: Herbert Raney Jr, Jazmin Bruton Davis, and Dani Davis.

Location of the Sculpture Installation facing 171st/Kedzie Open Lands

Alpha Bruton- Artistic Statement: My "Curatorial Practice" spans 46 years.

This project is essential to my career trajectory because I am focused on creating art in non-traditional settings as an environmental installation artist, working outside the traditional gallery context. I have traveled nationally and internationally as a resident artist, engaging communities in the art of artmaking in empty lots, national forest preserves, on land held in conservancy, in alternative galleries, and in museum settings. 

William G. Hill Center for the Arts

Digital Photography Workshop Presented by William G. Hill

William G. Hill founded the William G. Hill Center for the Arts (WGHCA), a non-profit organization dedicated to enhancing the Woodlawn community in Chicago. The mission of WGHCA is to support and improve creative and artistic expression. The organization aims to design programs that enhance, beautify, and revitalize communities physically, socially, and economically, utilizing multi-platform, culturally informed approaches to art and nature.

This placemaking project was a collaborative team: 

The Village of Hazel Crest Board of Trustees, Beautification/Open Lands Commission. 
Public Alpha Bruton, lead artist and muralist; Peter N. Gray, fabrication of the metal chair; and Harry Detry, embellishment of metal leaves. Works Department.  
William G. Hill Center for the Arts, the Phantom Gallery Chicago Network, and Allies for Community Business Chicago. 

RESEARCH:

MARGARET BURROUGHS
The Composition:
MARGARET BURROUGHS, an artist advocate for art, founded the Southside Community Art Center, the DuSable Museum, and the African American Association of Museums. An active member of the African American community, she also helped establish the South Side Community Art Center, which opened on May 1, 1941, and was dedicated by the first lady of the United States, Eleanor Roosevelt. There, at the age of 23, Burroughs served as the youngest member of its board of directors. A long-time educator, she spent most of her career at DuSable High School.

Taylor-Burroughs was a prolific writer, with her efforts directed toward exploring the Black experience and toward children, especially in fostering their appreciation of cultural identity and in introducing them to art and fostering their growing awareness of it. 
Freedom Railroad Quilt Patterns

Why Railroad Quilts Design? Great Migration

In 1890, William McClintock relocated from Ohio to Hazel Crest, where he established a depot for a local milk train. This depot became a vital transportation hub to Chicago and beyond, serving as the area's first real estate office, a public meeting space, a Sunday school, a day school, and the local post office.

The Underground Railroad, often misunderstood, was not an actual railway but a secret network of courageous individuals who helped enslaved people escape from the South during the 19th century. These escapees traveled to hidden "safe houses," guided by the North Star, toward northern states and Canada, where freedom awaited them.

Embellishment of wrought iron leaves, by Harry Detry

Installation of Ivy leaves attached to the screws from the back of the 1/8 " Metal plate.





Metal Oak Leaf flattened, and edges sanded smooth.

The oak leaves are attached to the metal with two rivets, creating a flush surface.


Chair fabricated by Peter N. Gray of Metal-i-genics Studio.o


Concrete pad 46" x 46"

Apply the primer coat, position the leg flaps, and ensure that the screws face each other from the inside.

Added a lip to attach to the top of the chair frame

Metal panels were delivered in two pieces for the chair's seat and back.



The Fabric of Freedom: Quilts and the Underground Railroad Denise Brown

This color study of the headpiece was based on the YouTube video "Celebrating Black History Month." Presenting Sunshine Coast artist Denise Brown's Fabric of Freedom collection, including 19 square watercolor paintings that honor the quiet revolution of the Underground Railroad through the unique, mysterious storytelling quilts that represent.


This mosaic tile work by Thomas Hill was used for her portrait composition. The portrait of the museum's founder, Margaret Taylor Burroughs, is as resistant to fading as her artistic legacy.
The texture and three-dimensional quality of mosaic wall art interact with the light and the angle of viewing. The timeless quality of mosaic portraits seems to resonate with all of us. The DuSable Museum of African-American History in Chicago has several fine mosaic tributes to influential figures. 

I have always used color studies and clipping files to create collages of the ideas that inspire my compositions. These come from sources such as Paper Quilting, photos of pops of color in the natural environment of the Open Lands, and a leaf-printing workshop held there. 




 I like the texture and the use of leaf-printing.  

   Color studies for my head adornment

William G. Hill presents Landscape Photography

"Art is Business"



Theaster Gates on the artist's ties to hometown Chicago


Working out of an old airplane parts factory, the internationally-acclaimed artist Theaster Gates has refused to fit inside a box – from creating works out of discarded objects, to making paintings out of tar. He talks with Mark Whitaker about his role as an artist; his stewardship of neglected buildings in his Chicago neighborhood; and his work commissioned for the forthcoming Obama Presidential Library.

"CBS News Sunday Morning" features stories on the arts, music, nature, entertainment, sports, history, science, and Americana, and highlights unique human accomplishments and achievements. Check local listings for "CBS News Sunday Morning" broadcast times.

The Sankofa Project CSUS Historic Preservation

This documentary follows a CSUS professor gifted rare African artifacts from Rhodesia by two sisters whose parents spent nearly 20 years as missionaries in Africa. The film explores cultural preservation, historical responsibility, and the personal stories tied to these artifacts—raising important questions about memory, ownership, and legacy.

Hashtags:
#Documentary #AfricanArtifacts #Rhodesia #CSUS #CulturalHistory #HistoricalPreservation #TrueStory #AfricanHistory

The Sankofa Exhibit: Embrace the Past – Forge the Future opens Oct. 15
Wednesday, October 15, 10am – Friday, December 5, 2025, 3pm

The Sankofa Exhibit: Embrace the Past - Forge the Future opens Oct. 15

The Sankofa Research Team partnered with the Department of Anthropology and the Department of Ethnic Studies in a new exhibit of Zimbabwean cultural items showcasing the principle of Sankofa. The exhibit will be between 10/15/2025 and 12/05/2025, Monday through Friday, from 10 A.M. – 3 P.M., Mendocino Hall 1000. 

Contact: clarence.george@csus.edu, tours: karen.dively@csus.edu.

Location Mendocino Hall, room 1000.


Black Soil: Our Roots Run Deep Exhibition – January—March 2026

"Art is Business" An exhibition by the Sojourner Truth African Heritage Museum at the Sacramento History Museum. 

African American agricultural history is a rich legacy marked by the forced labor of enslaved people who brought crucial skills from the motherland; the post-slavery struggle for land ownership amid systemic discrimination; and the groundbreaking innovations of figures like George Washington Carver and Henry Blair. Despite a significant decline in Black farm ownership due to discriminatory lending and other barriers, this history continues to be shaped by cooperative movements and a deep connection to the land. This exhibition will honor the legacy of African Americans in Agriculture on both a broad scope and a local perspective.

We are excited to have a host of community partners bringing knowledge, artistic talents, art and artifacts to this exhibition.

Community partners include:
Sacramento History Museum- Executive Director, Delta Mello, and Heather Reynolds, Museum Exhibits Manager: 

Sojourner Truth African Heritage Museum- Shonna R. McDaniels, executive director, Project Manager, and Artist in Sacramento.

Clarence George III, Ph.D., Assistant Professor/Director of the Cooper Woodson College Enhancement Program, Pan African Studies Program, Department of Ethnic Studies

“If you can control a man's thinking you do not have to worry about his action. When you determine what a man shall think you do not have to concern yourself about what he will do.  If you make a man, feel that he is inferior, you do not have to compel him to accept an inferior status, for he will seek it himself. If you make a man, think that he is justly an outcast, you do not have to order him to the back door.  He will go without being told; and if there is no back door, his very nature will demand one.”  

― Carter G. Woodson, The Miseducation of the Negro (1933) 
Dr. Tanisha Jackson, Assistant Professor in African American Studies and Director of the Community Folk Art Center at Syracuse University.

CSUS Sankofa Research Team, Sacramento State University (Sankofa Group)

California State University, Sacramento, Internship & Student Development Manager, Graduate Research Lead, Sankofa Museum Project.

CSUS IMPACT Fellow, Ethnic Studies & Psychology Researcher


Professor Sade Turnipseed -Cassie Sade Turnipseed, MS, MBA, PhD  


Featured  Artists Installation
Artist Helen Plenert (Cotton and Carver wood installations)

Featured Shovel  Installation Artists
Alpha Bruton, Phantom Gallery Chicago- artist/chief curator, and archivist for Pop Up Research Station.
Lee McCormick
Niamah McDaniels
Shonna McDaniels - artist/activist/muralist/archivist
Helen Plenert
 
"Act as if what you do makes a difference, it does" ~ William James

Giving Tuesday, Warm greetings to you accompany this request for your consideration.

"Art is Business."  In the spirit of gratitude, we reach out to request your thoughtful consideration for a year-end donation in 2025 to help support the valuable work of the Sojourner Truth African Heritage Museum. https://www.bigdayofgiving.org/organization/sojoartsmuseum



In the spirit of gratitude, we are reaching out to request your consideration for a year-
end donation in 2025 to support the work of SOJO. We hope you will include this important work in your year-end giving plans.

SOJO presents the Black Heritage 365 Program, which focuses on historical African
Americans in STEM. Our mobile Black Heritage Exhibitions provided educational
enrichment serving 6782 youth in the SMUD-funded STEM/STEAM education featuring
workshops, activities, presentations, and hands-on learning for youth ages 12-24 and
25+ adults.

SOJO highlights the stories of historic African Americans and notable Africans, like
Mansa Musa, through oral traditions called griots. Mansa Musa, known as the richest
man in history, amassed wealth primarily from the Mali Empire's control of the salt trade
and gold mining. Various spoken word artists create this interaction with our audience
during mobile exhibitions.

We look forward to being in touch with you. If you have questions or would like more
information on the Sojourner Truth African Heritage Museum, please contact Shonna
McDaniels, sojomuseum@gmail, or call our office at 916-320-9573.

Shonna

The 7th Annual Beauty Of Blackness Fine Art Show- CALL For ARTISTS

"Art is Business" https://www.zapplication.org/event-info.php?ID=14131


Louise Cutler, Founder and Producer of the TBOBFAS


EVENT INFORMATION
September 3–6, 2026 | Labor Day weekend at The Opera Galleria, Fort Collins, CO

We invite you to join one of the most elegant fine art experiences in the Mountain West—The Beauty Of Blackness Fine Art Show, a curated exhibition celebrating the brilliance, depth, and refinement of Black American and Artists of Color.

Opera Galleria, Fort Collins, CO
November 26, 2025
Open Date

June 15, 2026
Application Deadline

June 30, 2026
Notification Date

July 5, 2026
Purchase Deadline

September 3, 2026
Event Start

September 6, 2026
Event End

Now entering its 7th year, the show is an exclusive destination for collectors seeking original, investment-worthy artwork that reflects cultural depth and timeless beauty. Set in the vibrant heart of Old Town Fort Collins—a city voted one of America’s best places to live and known for its thriving arts scene—this event offers both prestige and opportunity in equal measure.

Who Should Apply:
We welcome Black, African American, and Artists of Color working in original fine art mediums:
  • Painting
  • Drawing
  • Sculpture
  • Mixed Media
  • Fine Art Photography
  • Metal and Glass Art
  • Fine Printmaking
  • Textile and Fiber Art

This is not a craft show—only original, gallery-quality works are accepted.

Why Apply:
Luxurious Venue: Held inside the historic Opera Galleria in the heart of Fort Collins
Highly Curated Audience: Sophisticated collectors, art consultants, and interior designers in attendance
Expanded Reach: Online gallery with national visibility and purchasing access
Special Features: Artist reception, collectors night, fashion showcase, artist talks, and...

Historic Opera Galleria 


GENERAL INFORMATION
All artwork must fit the criteria for one of the following categories and have been completed within the last four years. Entries in more than one category require separate applications. Booth sharing is prohibited unless both artists collaborate to create every piece! All artwork, of course, must be produced by the artist named in this application.

In all categories, 100% all original artwork .  NOTE: Wearable art (clothing or accessories) and household items are prohibited.  The sale of notecards is prohibited.  The purpose of this event is to introduce and promote the sale of original fine art to a discerning community.


LISTING AND DESCRIPTION OF ACCEPTABLE MEDIA AND CATEGORIES

Categories included in this Show are drawing, furniture, glass, jewelry, metal, mixed media, painting, paper, photography, printmaking, and sculpture.

DRAWING AND PRINTING:  Work created using dry media such as chalk, charcoal, pastels, pencil, and crayons, or from fluid media, such as ink applied by brush or pen.  Printed works from which the artist creates the plates, stones, or screens, and pulls the prints, are accepted. (must be signed and numbered)

FURNITURE:  Functional works of wood and other materials.  No part of the finished pieces shall be the result of mass production.

GLASS:  Functional and non-functional items are accepted.  No part of the finished pieces shall be the result of mass production.  Pressed glass objects are not permitted.

JEWELRY:  Personal adornment.  Original and unique designs incorporating any of the following: gold, silver, gemstones, glass, wood, clay, and other non-precious materials. No part of the finished pieces shall be the result of Kits or mass production. Must be all handmade and designed by the artist

MIXED MEDIA:  Includes 2-D and 3-D non-sculptural work, incorporating more than one type of physical material or processes in its production, i.e., an etching that is then painted or a collage of handmade paper and photography.

PAINTINGS AND PRINTMAKING:  Original 2-D work created in oils, acrylics, watercolor, etc.

PHOTOGRAPHY:  Limited edition prints from the artist's original film or digital file.  The edition quantity shall not exceed 50 of any one image.

SCULPTURE (LARGE):  Defined as over 5 feet tall, functional and non-functional, 3-D work in any medium.

SCULPTURE (SMALL):  Defined as less than 3 feet tall, functional and non-functional, 3-D work in any medium.

WOOD:  Works crafted from wood, excluding furniture, sculptures that are hand tooled, machine turned, or machine carved.  No magnifying glasses, pens, bottle stoppers, or catalogue merchandise are permitted.

Not permitted:  strung pearls, craft clay, and use of commercial casts or molds; commercially available pendants and brooches, and catalogue merchandise.  Loose stones may not be sold.

ADDITIONAL REQUIREMENTS




Works produced with commercial kits (molds, patterns, plans, prefabricated forms, or other commercial methods) are not permitted.

Exhibited work must be consistent with the digital images or slides submitted by the artist and follow the Show guidelines.

Paintings, graphics, hand-pulled prints, and photographs must be appropriately framed or matted and must be displayed in a suitable panel, portfolio, or stand.

Only the work of the juried artist or collaborating team may be displayed and/or sold.

Artists are asked not to display discount signs.

Work produced with commercial kits (molds, patterns, plans, prefabricated forms, or other commercial methods) is not permitted.

 Use of SALE signs is prohibited. Artists may price work as they see fit, including verbal price negotiation directly with the customer, but artists are not permitted to display discount or markdown signage in their booth.
Dr. Thomas E. Lockhart- 2025 Exhibiting Artists


RULES/REGULATIONS
Reproduction Policy

All artwork displayed must be original and produced entirely by the hands of the exhibiting artist.  While other fairs may allow reproductions, we do not.

What do we consider a Reproduction?   Any method of making multiple copies of original art using photo, mechanical, digital, or casting technology is considered by The Beauty Of Blackness Fine Art Show to be a reproduction. Reproduction technology has one or more of the following characteristics:

The work is not the product of the artist’s own hand.

The number of reproducible copies is technically limitless.

All copies are identical.

The copies are produced by commercial entities, and the artist is not involved in the process.

Methods of creating multi-copy art in limited runs, such as intaglio, lithography, relief painting, and other traditional printmaking means, are not considered reproductions.

Regarding photography and digital art, the Art Fair recognizes that artwork created utilizing photographs and/or computer technology is inherently reproducible. We also recognize that the use of cropping, enlargement and darkroom, and digital processes can produce different effects even from the same negative/image. All of this is allowed at The Beauty Of Blackness Fine Art Show. We require that participating fine art photographers show only work that they have signed, numbered, and produced in limited editions on archival material. Such work is not considered to be a reproduction.

To prevent the sale of mass-produced work at The Beauty Of Blackness Fine Art Show, the Fair reserves the right to halt sales of such work on-site, and/or to not invite artists who are believed to be selling reproductions, unlimited editions, mass mass-produced work to future Fairs.

Rule Violation Policy

To ensure fairness for every artist, the rules contained in this application will be strictly enforced. Artists not complying with The Beauty Of Blackness Fine Art Show policies will be asked to leave the art fair, without refund. The Beauty Of Blackness Fine Art Show reserves the right to advise artists of any work that does not meet art fair standards and may take any action deemed necessary for compliance. The Beauty Of Blackness Fine Art Show. 






Art Center Of Englewood- RePost

"Art is Business" by Atavia Reed, March 5, 2025, Englewood, Chatham, Auburn Gresham

Art Center Of Creatives To ‘Live Out Their Dreams’
Artists Dionne Victoria and Andre Brown opened the center last month in a two-flat building where they once lived. They wanted an all-ages space that would be especially welcoming to parent-artists.

Dionne Victoria and Andre Brown pose for a portrait at the recently opened Art Center of Englewood, 748 W. 69th St., in Englewood on Feb. 24, 2025. Credit: Colin Boyle/Block Club Chicago

ENGLEWOOD — An art center established by local artists to uplift and give space to the South Side creative community has opened its bright green doors in Englewood, and everyone is welcome

Artists gathered for an afternoon of live music, exhibitions, and performances by youth harpist Jada K. and spoken word lyricist Adverb Williams at the grand opening of the Art Center of Englewood, or ACE, on Feb. 1.

The Art Center of Englewood, 748 W. 69th St., was founded by Dionne Victoria and Andre Brown in a two-flat building that was formerly the couple’s home. Victoria, an artist, educator, and entrepreneur, is also the founder of The Healing Academy, a nonprofit that offers educational and creative programs for people of all ages. 

A gallery at the recently opened Art Center of Englewood, 748 W. 69th St., in Englewood, on Feb. 24, 2025. Credit: Colin Boyle/Block Club Chicago

The art center has two gallery spaces, two open studios and a bedroom, and a backroom reserved for staging scenes in a film. Artists can rent the studios for $500 a month and use the gallery space for workshops or exhibits. 

What Victoria calls “the study” is a space equipped with arts and crafts and books for children or adults to read, play, and relax. The center also has a playroom for artists who want to create art and are parents of young children, Victoria said. 

Englewood has long deserved a “bright spot” that encourages people to understand their greatness and pursue their artistic dreams, Brown said.  


Scratchboard art by Terrence Reese at the recently opened Art Center of Englewood, 748 W. 69th St., in Englewood on Feb. 24, 2025. Credit: Colin Boyle/Block Club Chicago

The Art Center of Englewood celebrates the grit, resilience and talent that exists in the community, and tells parents they don’t have to forfeit their passions to have children, Victoria said. 

“It’s important to me that people understand that they can live out their dreams,” Victoria said. “Creating a space like this allows people to see that they can do whatever they want. If there’s something you’re passionate about that’s in your heart, keep doing it. This is a space where you can.” 


Dionne Victoria shows off the kids' art room at the recently opened Art Center of Englewood, 748 W. 69th St., in Englewood on Feb. 24, 2025. Credit: Colin Boyle/Block Club Chicago

Victoria grew up immersed in art. Dreams of creating a space akin to the Art Center of Englewood began when she was a child living on the South Side and in nearby Harvey, Illinois. Her father, Victor Simmons, a scratchboard artist, allowed her to draw on wood panel walls and express herself creatively between real-life nature science lessons. 

“Art has been around me since I was very little,” Victoria said. “I always knew I wanted to be an artist, and I really like teaching people, too.” 


Dionne Victoria shows off artwork at the recently opened Art Center of Englewood, 748 W. 69th St., in Englewood on Feb. 24, 2025. Credit: Colin Boyle/Block Club Chicago

That passion for art took Victoria to the Zhou B Art Center, The More heART Foundation, Artists on the 9 and other spaces where she explored her career as a painter and educator. 

When she eventually stumbled upon the South Side Community Art Center, Victoria quelled her dream of opening an art center, she said. 

“I figured they did it already, so why do it again?” Victoria said. “Then I moved to Englewood around 2020 and realized nothing like the South Side Community Art Center was here. The model of that space inspired us to turn our two-flat building into an art space where people can do whatever they need to do.” 

Andre Brown talks about the art at the recently opened Art Center of Englewood, 748 W. 69th St., in Englewood on Feb. 24, 2025. Credit: Colin Boyle/Block Club Chicago

Victoria and Brown received an $8,000 grant from the Hyde Park Art Center’s Artist Run Chicago Fund to help build out the Art Center of Englewood. 


Instead of creating a registry for their wedding ceremony in September 2024, they asked family and guests to donate money or purchase art that would help support the art center. Supporters of the center were invited to the February celebration to see their contributions in action.
 

Dionne Victoria and Andre Brown pose for a portrait at the recently opened Art Center of Englewood, 748 W. 69th St., in Englewood on Feb. 24, 2025. Credit: Colin Boyle/Block Club Chicago
The creative duo wanted to build a space for parent-artists to feel welcome, they said. 

As artists and parents of young children themselves, Brown and Victoria have been told their kids “make too much noise, ask too many questions, need to sit down or be quiet,” Victoria said. 

After “too many situations” where their family wasn’t welcome, the couple knew they needed a center where kids could be in the room, Victoria said. 

“People are often told that if they want to be an artist, they have to be a starving artist, and if they want to have kids, they’re going to struggle. I don’t like either of those options,” Victoria said. “There’s a way, and that’s what we’re doing. We’re making a way so that artists who are also parents can be parents, love their kids, and have their kids be a part of their lives, while also following their passions and dreams.

You don’t have to give up on your passions and dreams for your kids.” 

The Art Center of Englewood is open 2-6 p.m. Wednesday-Saturday or by appointment by emailing aceincchi@gmail.com or calling 708-733-2936. 

Phantom Gallery CHI

Open Lands: Tree Planting in honor of National Arbor Day.

"Art is Business.  On Arbor Day, the Village of Hazel Crest Beautification Commission hosted a Village Clean Up Day and Tree Planting, ...