Showing posts with label donors. Show all posts
Showing posts with label donors. Show all posts

Effective Grant Writing for Emerging Artists

"Art is Business" Reposted article written by Erin Sickler | Oct 5, 2021, | Finances




Grant writing can be intimidating for the inexperienced artist. Asking for money to support projects is stressful, especially when factoring in the reality that thousands of other creatives are competing for these same funds on their projects. Don't despair! Take a deep breath and settle in to take notes on our top tips on how to write effective, compelling grant applications.

WHEN GRANT WRITING, DO YOUR HOMEWORK
This may sound obvious, but many grant proposals are rejected because they fail to read and follow the grant requirements. Don't fall into this simple trap! Especially if you are submitting a complex application, comb over the details to help you to see if you are following all the instructions and not missing a deadline.

First, understanding the granting organization's mission is crucial. All granting organizations and foundations have a mission statement, usually posted on their website. Additionally, most organizations will have information about their scope of activities, plans, and projects. Comb through and align your language with the mission and guidelines appropriately. A quick tip: reviewing a list of past recipients is one of the best ways to determine whether your project is a good fit for their funding priorities before you put all the effort into writing a grant proposal. 

Common elements that make up an artist grant proposal include an artist statement, a project statement, a portfolio and/or work sample, and a budget. It's important to note that the budget is usually the most important factor of all of these. Your budget will indicate to the committee whether or not you have a realistic grasp picture of the project scope. For example, if the project requires unique materials or fabrication, receiving a quote on these aspects of the project in advance will help argue your case. While emerging artists can generally expect less funding than well-established artists, asking for too little can also be a red flag if the funds requested are insufficient to meet the project requirements.

Finally, make sure you save all materials submitted in the grant proposal. Keeping good records will also help remind you that writing effective grant proposals is a process. Over time, you can revisit older grant proposals and borrow relevant language, while also observing just how much your applications have improved.


Do your research on all the available grants with learngrantwriting.org!

As an emerging artist, you may be full of potential, but you have yet to prove it. At this stage, it is easy to underestimate yourself. Confidence is key to mastering the grant writing process, but at the same time, be sure to revise and ask for advice from more experienced grant writers where possible! Have a realistic yet positive view of your skillset. In his 1961 visitors pamphlet for The Watts Towers, Simon Rodia said, "You have to be good-good or bad-bad to be remembered." Rodia himself did not seek grants to begin his monumental public work: he just went out and did it. Approach your grant applications with grit and determination, and you're well on your way to mastering the skills needed to succeed at grant writing.

Not every opportunity will take you down the right path. Funding priorities shift and change, as do selection committees. Many artists will apply to the same organization year after year, so keep your head up and play the long game. Trust your intuition and stay true to yourself.

CONTINUALLY IMPROVE YOUR GRANT PROPOSALS
 Having a career as an artist requires many soft skills: personal attributes that enable you to interact and succeed professionally. For artists, these skills can vary widely. Curiosity and resilience are key soft skills for an artist. Remember that there is more than one path to reach a destination, and you do not need to compare yourself to others to capitalize on your strengths when "selling" your art project. Instead, work on communicating what unique aspects you incorporate into your art-making through your distinct voice. 

Writing mind-blowing grant proposals is a hard skill that takes time to master. If it is daunting to submit your first grant proposal, try to begin with a level-headed approach. Express your personality and your practice on the page as much as you can. Grant writing is a special form of writing, but it doesn't have to be especially academic. Grant committees are sympathetic to artists; above all, they want to understand where you are coming from and what you are trying to communicate with your work. This message can get lost if you are being too verbose or cryptic. William Zinsser's classic book of non-fiction writing, On Writing Well, can help you improve your writing skills if needed.

KNOW THYSELF WHEN GRANT WRITING
Know your practice well when writing a grant proposal. Focus and be attuned to what makes your artistic approach unique, and also to understand your relationship to the artistic traditions you are engaging with. Being unique is a paradox. While it is true we are all unique, we can get too absorbed with expressing our unique viewpoints. Follow the adage, "show don't tell." Telling someone you are unique is not the same as demonstrating it in your grant application. As an emerging artist, the bulk of your material comprising your grant writing should come from details about exploring your early experiences, such as life experiences that play a key factor in your art, identifying mentors or influences, and describing the technical processes involved in making your work. Try to make this information as specific as possible. Stay away from general concepts. Tell the story behind what it is that really is unique to you.

ASK QUESTIONS
The grant manager, or the person who organizes the application submission process on the organizational side, firmly understands how a grant represents an organization's mission. Some grants will specifically list a contact, but if not, you can find this person by contacting the organization. If parts of the grant application are unclear to you, do not hesitate to contact the grant manager. Make sure you prepare your questions ahead of time.

Most grant managers are happy to answer basic questions. At smaller organizations, they will often go a step further. If a grant manager is willing to spend some time with you then, it doesn't hurt to ask if you can run a proposal by them to learn more about if it matches current funding priorities. Taking this extra step can drastically improve the chances of your application.

If you receive notice that you did do not get the grant, don't hesitate to ask for feedback. Some organizations keep notes of the grant committee's comments and will provide them upon request. Otherwise, the grant manager may be able to give you some direction. If you do get the grant and have the opportunity to work with the organization, you should also still ask for feedback. You might inquire about what made your proposal stand out to the granting organization. 

Viewing the grant writing and submission process as an ongoing quest for information rather than a do-or-die situation will keep you stay calm and clearheaded, soft skills that in the long run, enhance your chance for success.

Have any tried and true methods worked for you when grant writing? Any notable tips for artists writing grant proposals for the first time?

Comment below!

Erin Sickler


The Healing Academy's Annual Fundraiser Gala and Art Exhibtion 2021

"Art is Business"





2021 BIG DAY OF GIVING Sojourner Truth African Heritage Museum








"Art is Business"

Bronzeville Art District Virtual Trolley Tour, September, 18 2020



You're invited to our Virtual Open Studio 
Drop-in at any time: Bit.ly/bronzevillearttrolleytour
Online: https://us02web.zoom.us/j/85974336882 
 
Topic: Bronzeville Art District Virtual Trolley Tour 2020- Phantom Gallery Chi Open Studio
Time: Sep 18, 2020, 07:00 PM Central Time (the US and Canada)
LINK: https://www.facebook.com/events/3168078666607321

PHANTOM GALLERY FEATURED ARTISTS

TALKING ABOUT THEIR ART PRACTICE




TALVER GERMANY





                Talver Germany                                Dress for Freda, Watercolor

A native of Sacramento, California, she was educated like many other artists from grammar to graduate school. Talver received a BA degree in Studio Art, BA in Social Science/ Anthropology, and an MS. Degree in Counseling Education all from the California State University of Sacramento. 
She is an Associate Professor of Art at Folsom Lake College, a member of the Placerville Arts Association, San Francisco Fine Arts Museum, Sacramento African American Art Collection, Phantom Gallery Chicago Network on LinkedIn, a member of the California Arts Association, and co-founded the Visual Arts Development Project.




Join us for the After Party 



Shonna McDaniel- Founder Sojourner Truth Art Museum Artist and Social Justice Activist.

"Art is Business"  Biographical Profile: The Artist Shonna McDaniels

Mrs. McDaniels is a committed “artist and social justice activist.
Founder and Director of the Sojourner Truth Art Museum (founded in 1996).  McDaniels is a professional artist/teacher/muralist and community activist, she has an extensive background in art instruction and mural designs.  She has studied under some of the finest professors in the Los Rios Community College network and master artists in the San Francisco Bay Area.  While residing in Germany, McDaniels instructed art classes for two years on military bases as well as organizing art exhibitions and programs.



Prior to 1996, Shonna McDaniels was one of the co-founders and artist of the Visual Arts Development Project (founded in 1988), McDaniels taught art classes, conducted workshops and organized art exhibits throughout the Oak Park and Del Paso communities.   She has donated art to various organizations as well as helped raise money for charitable causes throughout the Sacramento Region.  She has over 25 years of community involvement, with various organizations that support the arts through exhibition, artist residences, community activism, community murals and organizing community-based festivals in South Sacramento.

Ms. McDaniels has contributed to over 150 murals to the landscape of Sacramento, Stockton, and San Francisco:
These include among others:

  • The Sacramento Redevelopment Agency Downtown Mural Project
  • Marian Anderson Elementary School Mural Project
  • Hmong Women’s Heritage Community Mural  
  • Oak Dale Elementary School Mural, Totem, and Stepping Stone Project 

  • PS7 Elementary School Restoration Mural 
  • Breadfruit Tree Restaurant Mural Restoration- Stockton, Ca
  • San Francisco Farmers Market Mural Project (Facilitated by Precita Eyes) 

  • County of Sacramento WIC Program Floor Mural and two wall murals 
  • Magic Johnson Center (5 community murals)
  • Florin Business Arts Complex/Sojourner Truth Murals Project 
  • South Gate Baskin Robins Ice Cream Community Mural Project 
  • The Greater Sacramento Urban League Tobacco Education Program (3 murals in conjunction with the Sacramento Metropolitan Art Commission Neighborhood Arts Program
  • Franklin Villa Resource Center—Franklin Resource Center Para-Transit Shuttle Bus Project (8 murals)
  •  The “Green Dream” mural, commissioned for Governor Arnold Schwarzenegger’s 2007 Inaugural, for example, depicts images of a healthy California.  
The mural displayed at Cal EPA and the California Museum for History of Women and the Arts.  Several of her murals advocate against tobacco use, such as the “Tobacco Education Mural,” Neighborhood Arts/Franklin Villa Resource Center. Shonna also travels to other states and cities (New York, Chicago, San Francisco, Oakland, Stockton, Yuba City, and Napa Valley) to help with community public murals and outreach.



As an Artist-in-Residence at Marian Anderson Elementary School (Sacramento, CA), McDaniels designed a mural framing contralto opera singer Marian Anderson in various stages of her life and career.  She also conducted after-school and weekend art workshops.

Ms. McDaniels believes that the desire to experience and participate in creativity is essential to optimum human expression and development. Her artistic legacy within the community is renowned to grassroots, professional artists, politicians and the business community. Her contributions have been recognized by Council members: Lauren Hammond, Bonnie Pannell, Larry Carr, Mayor Kevin Johnson, Congress Doris Matsui, Governor Arnold Schwarzenegger, and Entertainer Russell Simmons.

Mrs. McDaniels is a committed “social artist-activist.” Her work is dedicated to creativity and social change within the context of an evolving, healthy community.


Personal Statement: My purpose as an artist is to leave a legacy for future artists. I want young black girls and boys to look at my art and experience something of worth, pride, and value. For this reason, I strive to have the essence of my work reflect dignity, strength and the beauty of each subject that I present. The education of youth for me is very important and I have spent a large part of my career as an artist educating youth.

I feel today, more than ever, that art is needed by young people as a forum for safe expression, communication, exploration, imagination, cultural and historical understanding.  Art is an essential, encompassing life element that has the ability to produce an environment with a productive, cultural exchange of ideas. In addition, art promotes the acquisition of intellectual skills in literature, science, and math. Indeed, art should be a priority in human development.  Art has the ability to inspire youth to be creative, think outside the box and use their skills to beautify their environment.

Barbara Jones Hogu - Never The Same

 Art is Business" of Barara Jones Hogu, 2019. 


Barbara Jones-Hogu is a painter, printmaker, filmmaker, and educator from Chicago. She studied at Howard University, the School of the Art Institute of Chicago, and the Institute of Design at IIT. She was a member of the OBAC Visual Artists Workshop and painted the actors’ section of the Wall of Respect. In 1968, together with four other artists, she co-founded AFRICOBRA, the African Commune of Bad Relevant Artists. Her work has appeared in exhibitions in Chicago and around the United States and has been collected by many major institutions. Currently, she is pursuing a Master’s degree in film from Governors State University.


AfriCOBRA artist, Barbara Jones-Hogu and IMLS Fellow Skyla Hearn

Barbara Jones-Hogu was born in Chicago. She received a BA from Howard University in 1959, a BFA from the School of the Art Institute of Chicago in 1964, and an MS with a concentration in printmaking from the Institute of Design at the Illinois Institute of Technology in Chicago in 1970.  Jones-Hogu is associated with the Black Arts Movement of the 1960s and 1970s. As a member of OBAC (Organization for Black American Culture), she was one of the muralists who created the important “Wall of Respect” in 1967 on the south side of Chicago – a public work that inspired the creation of socially, politically and culturally themed murals across the urban American landscape. In 1968, Jones-Hogu became a founding member of the African Commune of Bad Relevant Artists (AfriCOBRA). As a member of AfriCOBRA, she participated in formulating the group’s mission statement, which stressed black independence and artistic self-determination.




"Untitled" watercolor, from the estate of Barbara Jones Huge, 2019







A Conversation About the Intersections of Environmentalism, Art, and the Neighborhood

"Art is Business" was reposted for Matthew T. Searle, Assistant Director, Experimental Station.

Arts & Events “Environmentalism, Art, and the Neighborhood”: Patric McCoy in Conversation with Kahari Blackburn

    Patric McCoy with his beloved bike
    PATRIC MCCOY WITH HIS BELOVED BIKE
    “Environmentalism, Art, and the Neighborhood”: Patric McCoy in Conversation with Kahari Black
    Thursday, 10/18 - 6:00-8:00PM

    Doors open at 6:00, the conversation begins at 6:30.
    A public conversation between EPA veteran and art collector Patric McCoy and artist and staff member of Invisible Institute and South Side Weekly Kahari Blackburn about the intersectionality of concerns about the natural world, supporting living Black artists, and the history and changing the landscape of our immediate neighborhood. 
    Kahari Black in between cyclocross races
    KAHARI BLACK IN BETWEEN CYCLOCROSS RACES
    Patric McCoy retired in 2006 from a 28-year career as an environmental scientist in the Air and Radiation Division of the U.S. Environmental Protection Agency’s Regional Office in Chicago. He has a B.A. in Chemistry from the University of Chicago and an M.A. in Environmental Science from Governors State University.
    Mr. McCoy has been collecting contemporary African American art for 41 years and has a collection of over 1000 pieces of fine art, 90% of which are done by Chicago artists. In 2003 he co-founded Diasporal Rhythms a not-for-profit 501(c)3 arts organization comprised of informed and passionate art collectors from Chicago’s African American communities. The organization promotes the collection of artworks by living artists of African descent.
    Kahari Black is a community member, working artist, and media maker. He is a Visuals Editor at the South Side Weekly and co-directs the Youth Police Project at the Invisible Institute, where he facilitates conversations and creates media projects about young people's experiences with policing on the South Side Of Chicago. His long-term vision is to one day make an audio/visual production house out of the Experimental Station as a resource to empower more youth through the arts and media. 
    Kahari is a graduate of Whitney Young Magnet High School, a former Americorps Public Allies fellow, a college dropout who wants an undergrad degree to make his mother smile, plus a member and advocate of Chicago’s booming creative and biking scenes.
    This event is part of our Environmental Concerns project, from September 26th to November 18th. Through exhibitions, installations, and public events, this project looks at local intersections between the natural world and social environments.

    Kahari's website
    Diaspora Rhythm's website
    A recent New York Times article with Patric McCoy speaking about collecting
    Patric McCoy Interview by Rebecca Zorach on the Never The Same Archive
    Patric featured in "Biking While Black" Chicago Tribune article





     Later Event: October 20


    Kahari Sylvian-Blackburn Invisible Institute

    We are fortunate to be able to host Patric McCoy and Kahari Blackburn this Thursday for a conversation about the intersections of environmentalism, art, and the neighborhood. 
    If you do not know them already, Patric co-founded the art collectors group Diasporal Rhythms, worked for the EPA for 30+ years, and is an avid cyclist. Kahari is an artist who works here in the building with Invisible Institute and South Side Weekly and can also be seen about town on his bike. This should be a fascinating conversation with these two amazing people, so I hope you can make it!


    The doors open at 6, and the conversation starts at 6:30. We will have beer, wine, and snacks! More info about the event is here.


    USArtists International

    "Art is Business" reposted for Hannah Young Support Specialist Mid Atlantic Arts Foundation
    Full Radius Dance Company is spread across a dark stage. They are holding a ribbon connecting all seven members of the company. Two dancers are in wheelchairs. All members are wearing red shirts and black pants.

    Chicago Area Performing Artists! USArtists International, a program of Mid Atlantic Arts Foundation, supports performances by U.S. dance, music, and theater ensembles and solo artists invited to perform at important cultural festivals and performing arts marketplaces anywhere in the world outside the United States and its territories. Since its inception, USArtists International has awarded over $5 million to more than 450 ensembles and solo performers nationwide. MAAF receives support from the John D. and Catherine T. MacArthur Foundation for support of artists from the Chicago area.
    Applications for the third and final round of the 2017-2018 cycle are due April 5, 2018, for engagements between July 1, 2018, and June 30, 2019.
    A close up of a woman and a man on stage. Both are holding microphones. The woman is in the foreground wearing a colorful shirt with varied patterns. The man in the background is holding the microphone close to his lips and he is wearing a green shirt with a colorful baseball hat. Photo is courtesy of The Reminders.
    USArtists International grantee, The Reminders, perform at the B-Global Indigenous Hip-Hop Summit in Uganda. Photo: The Reminders
    Thanks again!
    Hannah Young 



    Renée Baker Screening Scoring Silent Race Films

    "Art is Business"
    FRIDAY, MARCH 10TH, 2017  7PM- SCREENING, COCKTAILS, CONVERSATION


    Renée Baker will screen along with the sound track from her adventurous Chicago Modern Orchestra Project ensemble as it performs  her score from "race films" of the silent era: the Oscar Micheaux classic Body and Soul (1925) at Phantom Gallery Chicago  on March 10, 2017- film starts at 7pm.

    Body and Soul 1920


    Within Our Gates, Film maker Oscar Micheaux
    REVIEW- CHICAGO TRIBUTE- ONLINE NEWS:

    Renée Baker on the challenges of scoring silent race films: This fall the musician will provide live accompaniment to two mid-1920s pictures.

    CULTURE BRIDGE/KULTURBRUECKE 2017


    DANK Haus, Scharpenberg Art Gallery, 4th floor
    4740 N. Western, Chicago, IL.

    "Culture Bridge is an annual exhibition and International Festival open to the interpretation and views of artists, who enjoy the variety of expression in the form of paintings, music, photography, sculpture, jewelry, graphic design, fashion design, outsider art, performance art, film, storytelling and theater. 

    Photo Credit Warren Perlstein

    Cultures approach each other by way of travel and communication. I use to call it accultulation.  What is meant by acculturation? Cultural modification of an individual, group, or people by adapting to or borrowing traits from another culture; also : a merging of cultures as a result of prolonged contact. The process by which a human being acquires the culture of a particular society from infancy.

    Photo Credit Warren Perlstein
    It can also refer to "the process by which Western culture is being exported and diffused into other nations.

    The International Art Group and artists invited to participate in 2017 Culture Bridge exhibition aim to create a dialog between cultures, using our many different art forms. Mariana Buchwald Founder of Iinternational Art Group.

    Piotr Wolodkowciz, Keo Ra Zen, Past Curators of Culture Bridge/Kulturbruecke joined me in the installation of 2017 artworks, an amazing collections of art from artists who have traveled all over the world, now living and creating art in Chicago.

    Featured artists Martha Juarez Photo Credit Warren Perlstein  

     Opening reception was documented by artist Warren Perlstein, visit him on Flickr https://www.flickr.com/photos/warrenp/sets/72157680473493096/,to see the amazing photographs of the opening event.


    Featured Artist Judith Roth- Photo Credit Warren Perlstein

    Photo Credit Warren Perlstein

    Artist Renee Baker- Film Series  maker and Composer

      
     Experimental Film and Sound
    Tuesday, February, 28 and Wednesday March 1, 6pm - 9pm
     RENEE BAKER
    Filmmaker/Composer
    “SONIC CONSCIOUSNESS”
     Film 1 OUTEREXTREMIA 13
     Film 2: THE BLUE BIRD

    Art Activities, Painting of Portraits
    Saturday, March 4. 12:30pm - 3pm
    Bookmaking with Linda M. Platt for families and artists
     
    Linda M. Platt will be conducting a workshop for family and friends, photographed here with her daugher and son in law .
                              Portrait Painting:4pm  - 9pm:The Artist as Subject and Object:
     Michael Abcede, Martha Juarez, Elizabeth Parker, Piotr Wolodkowciz
    Art talks with Laura Engel, The Native American Drum: Warren Perlstein


              
               Art Talk, Play, Film Festival 
    Saturday March 11.Art Activities and Play,12:30 - 3pm with Penelope Thrashe        
    Film Festival, 6 - 9pm: 
    KULTURE KLASH featuring Kao Ra Zen,                                           
    Tom Palazzolo, Daniel Brehm, Ron Richardson, Spencer Hutchinson     

    Kao Ra Zen Curator of Film Festival KULTURE KLASH featuring Kao Ra Zen
         
     Live Music and Movement
    SONIC NEWNESS: 
    Renee Baker & Althea Teamer
    Tues March 14. 6pm - 9pm
     Wed March 15. 6pm - 9pm
     Renee Baker & Chicago Mask Ensemble: Marianna Buchwald, Althea Teamer, Gina Carpenter, Daniel Weinberg, Kathryn Gauthier

    Closing Reception
    Saturday. March 18. 6pm - 9pm
    Music: Ancestral Resurrections, George Larson,
    Fashion show with Elizabeth Parker, 
    Art bazaar: Daniel Weinberg

     EXHIBITING ARTISTS 

    images can be seen on ArtSlant-
     

    Michael Abcede 
    Rah Marie Anderson
    Renee Baker
    Alpha Bruton 
    Hans-Ulrich Buchwald
    Marianna Buchwald 
    Gina Carpenter
    Paulo Carvalho
     Janina Ciezadlo
    Kambua Chema   
    Sara Peak Convery
    Tomasz Fudala    
    Henning Greve  
    Kathryn Gauthier
    Teresa Gierwielaniec – Rozanacki
    Ladan Ghajar
    Judith Heinemann
    William Hill    
    Spencer Hutchinson 
    Martha Juarez      
    Delia Jean
    Stanislaw Kielar
    Wes Lee K (Wesley Kochan)
    Agnieszka Kulon
    Renata Kowalczyk        
    George Larson
    Boruch Lev
    Ginny Ching Yin Lo
    Bishal Manandhar
    Aimee Michel
    Brittany Nacole  
    Didier Nolet   
    Elaine O’Sullivan
    Tom Palazzolo 
    Elizabeth Parker 
    Warren Perlstein
    Lauren Pilot
    Linda M. Platt
    Robert Pockmire
    Judith C. Riemer
    Erin Rossi
    Judith Roth
    Daniel Shumis
    Paola Cofresi Silverstien    
    Joanna Szymanska    
    Joyan Tang
    Althea Teamer
    Bala Thiagarajan
    Penelope Thrasher 
    Elsa Toebelmann
    Eileen Tull
    Kim Denise Uhe
    Daniel Weinberg
    Zackary Williams
    Piotr Wołodkowicz
    Teresa Zawitkowska
    Fotios Zemenides
    Kao Ra Zen
      
            

    CURATOR’S NOTES:
    TIME ARTS - Marianna Buchwald             




















    "Culture Bridge is an annual exhibition and International Festival open to the interpretation and views of artists, who enjoy the variety of expression in the form of paintings, music, photography, sculpture, jewelry, graphic design, fashion design, outsider art, performance art, film, storytelling and theater. The objective of this exhibition is to build the cultural exchange and dialog between artists from the United States, South America, Africa, Europe and Asia. 


    Guest Curator - Alpha Bruton     



     Cultures approach each other by way of travel and communication. It can also refer to "the process by which Western culture is being exported and diffused into other nations. The International Art Group and artists invited to participate in 2017 Culture Bridge exhibition aim to create a dialog between cultures, using our many different art forms.

       SPECIAL THANK YOU TO OUR COMMITTEE MEMBERS 2017 
        
    Culture Bridge Committee: Martha Juarez, Joanna Szymanska, Sara Peak Convery, Sarah Marie Anderson, Linda M. Platt, Penelope Thrasher, Daniel Weinberg, Kambua Chema, Warren Perlstein, Piort Wolodkowicz, and Bishal Manandhar.

    Photo Credit Warren Perlstein






    Phantom Gallery CHI

    Gallery Guichard and Donate Life Illinois proudly present "Soul of the Stone"

    "Art is Business": Dive into an artsy vibe and explore the hidden stories and energy of stones at this unique event. Gallery Guic...