Showing posts with label insurance. Show all posts
Showing posts with label insurance. Show all posts

M&S Enterprises ~ "Get it, Keep It Together"

Art is Business , Shauntele Y Pridgeon, is a member of the Phantom Gallery Chicago Network Broad Directors: 

Happy New Year, we hope your 2014 has been healthy & prosperous, Its that important time of the year, so lets get this season off to a great start! 

Every year we work on improving our services & making tax season as stress free as possibleI would like to introduce the newest members of our team, Ms. Tina Hall & Ms. Cindy Triplet! Tina & Cindy both operated tax prep services for numerous years & after several years of begging for their expertise, they have come aboard to M&S!



IMPORTANT NOTES/REMINDERS/CLARITY:

  1. REFER TO ATTACHMENT FOR FEE INFORMATION
  2. You can submit your documents to M&S via fax, email, mail or drop-off.
  3. It is very important that you wait for all your forms (W2, 1099, etc) & send ALL information together; this avoids confusion, missed information, amendments & delays.
  4. Once M&S receives yours tax documents, it may take 5-7 days to review & process. We process in order received (on an average day that is 6-10 clients per day). When we have submitted the return, you will receive a text informing you of the refund amount. Once the IRS updates the refund status you will receive another text message with the IRS date of deposit & payment options (usually within 14 days).
  5.  ALWAYS it is the client’s responsibility to inform us of ANY changes (address, names, dependents, bank accounts, emails, telephone numbers, etc); we default to the previous year's personal information and are not aware of your 2013 changes unlessyou notify us. Every year there are numerous clients that don't give us the changes until AFTER they have forwarded their information & either their refunds are deposited to closed accounts, mailings delivered to wrong addresses, returns rejected because dependents are no longer current, etc. We do NOT call to double check your information with you, most of the time we are working late into the night & it would be impossible to call every client to make sure we have up-to-date information. Any errors and/or delays due to outdated information are not M&S responsibility and payment is due for services rendered. Any errors and/or delays of M&S are taken seriously and we will work to resolve to the satisfaction of our clients.

We are looking forward to your continued business and are always striving to improve services to best fit the needs of our clients!

Sincerely,



Collection Management: The First Step

"
AXA Art Collection- page image


I am providing this information to artists, collectors, and curators doing business with the Phantom Galleries. As galleries, it is invaluable that we continue to gather information and advice from experts in the field. I am currently taking an inventory of my collection and personal artwork as part of my estate planning—artwork that was entrusted to me for my collection prior to incorporation.  

Collection management is an ongoing process. Start by documenting and tracking relevant information.
Maintain a file for each work. Records can be paper, electronic, or a mixture. Attend the exhibitions of the artists you collect. Clip their reviews. Turn to a certified appraiser when you need specific information about value.  Decide whether you need Fair Market Value or Insurance Replacement Value. 

If you send a work for conservation, obtain the conservator’s report for your file.
Research
Documenting each work
Tracking
Checklist

You’ve assembled a collection. How do you look after it?
First, this ongoing process extends from proper installation and the right inns coverage to planning for subsequent stewardship. A conservator, appraiser, and attorney may all play a role.

Documenting each work
A good first step is documenting and tracking relevant information. Maintain a separate file for each work. Include the purchase invoice with the date and seller. Ask the gallery or auction house for available photographs as well as exhibition and conservation histories. Take color photographs of the back and front of a painting and several angles of a three-dimensional object.


Record information on the back of the photograph as it will be hidden once the painting is framed. Train your eye to detect all nuances about the baseline condition of each object is there an anomalous patch of paint? Do striations appear in the patina of a bronze sculpture? Date all observations. Finish by completing the checklist on the next page.


 Your records can be paper, electronic, or a mixture. With a simple spreadsheet, a Microsoft Access database, or off-the-shelf collection management software. You can create reports with ease. Plan to store a copy of your data in a separate location.  Although you may prune works from your collection, keep the records. They are a valuable part of your collection history.


Research
Learn all you can about the content or meaning of each work and the times it was made. Research the artist’s biography. Make it a goal to visit exhibitions of artists you collect. Clip and save their reviews from newspapers, magazines, and online. Follow their stylistic development. Whose works are like theirs? What periods within their work are considered most important? Challenge yourself to grasp the details as well as the larger picture.


Tracking
You will want to be aware of the market conditions for the areas in which you collect. Are values climbing, falling, or remaining stable? This information will guide many decisions, from insurance and gifting to security and estate planning. Auction catalogues and online auction databases such as Artnet.com, artprice.com, or AskART.com provide a useful range of pricing for paintings and sculptures. Artfact.com follows furniture and decorative arts as well.


 For a more precise figure, turn to a certified appraiser. Specify whether you require fair market value (the basis – with adjustments—for taxes, gifts, and donations) or replacement value (for insurance). Fair Market Value equals the price likely to be received at auction. Replacement value is usually higher and can be considered an object’s retail price. It is wise to have a collection reappraised every five years or so. As the foregoing suggests, good collection management is the rational side of collecting. Yet its rewards are also satisfying, yielding an acceptable result: a collection secured for the ages.


Checklist
Below is essential information to record about each item in your collection. Find a similar checklist at AXA-ART. 
Artist/Maker
Dates of Artist/Maker
Title of Work
Description of Subject Matter or Type of Work
Date of Work
Materials
Dimensions
Condition: Describe the object’s surface and carefully note any changes during periodic re-examinations. If you send a work for conservation, obtain the conservator’s report and file it. Note in your record the date of the report and that you have added it to the file.


Inscriptions and Markings: Examine the back and front of every two-dimensional work. Record earlier labels, inventory numbers, artist signatures, and all other writing.


Distinguishing Features
Location of object: Especially important if you have more than one residence.

Display: Who framed or mounted it? How is it secured?

Provenance: What is the collection history of the object? To whom did it previously belong? Pay special attention to antiquities and any work created before 1946 that was considered in Europe after 1932.

Bibliography: Is your work cited in the catalogue raisonne (a systematic annotated catalog; especially: a critical bibliography) of the artist? This will affect valuation, as authentication frequently depends on a work’s inclusion in the accepted catalogue raisonne. Are there other citations?

Exhibition History: Please file a copy of the catalogue of any show in which a work has appeared. Otherwise, copy the complete reference, including dates and location.
Purchase Price and Date
Appraisal History

Loan History: Record exhibition dates, venues, and the value placed on the work at the time of the loan. Make notes about the condition report from each location.

Art is Business"- Reference: ART News/Summer 2005 Collection Management Checklist   by Vivian Ebersman, Director of Art Expertise AXA ART Collection Management Series

Phantom Gallery CHI

Village of Hazel Crest Open Lands "Arts in the Woods" Soundscape- Reggie Nicholson Concepts

On August 9, 2025, the Village of Hazel Crest will host a Moonlight Social at the Open Lands Arboretum, featuring a community listening sess...