Showing posts with label Art Fairs. Show all posts
Showing posts with label Art Fairs. Show all posts

The 7th Annual Beauty Of Blackness Fine Art Show- CALL For ARTISTS

"Art is Business" https://www.zapplication.org/event-info.php?ID=14131


Louise Cutler, Founder and Producer of the TBOBFAS


EVENT INFORMATION
September 3–6, 2026 | Labor Day weekend at The Opera Galleria, Fort Collins, CO

We invite you to join one of the most elegant fine art experiences in the Mountain West—The Beauty Of Blackness Fine Art Show, a curated exhibition celebrating the brilliance, depth, and refinement of Black American and Artists of Color.

Opera Galleria, Fort Collins, CO
November 26, 2025
Open Date

June 15, 2026
Application Deadline

June 30, 2026
Notification Date

July 5, 2026
Purchase Deadline

September 3, 2026
Event Start

September 6, 2026
Event End

Now entering its 7th year, the show is an exclusive destination for collectors seeking original, investment-worthy artwork that reflects cultural depth and timeless beauty. Set in the vibrant heart of Old Town Fort Collins—a city voted one of America’s best places to live and known for its thriving arts scene—this event offers both prestige and opportunity in equal measure.

Who Should Apply:
We welcome Black, African American, and Artists of Color working in original fine art mediums:
  • Painting
  • Drawing
  • Sculpture
  • Mixed Media
  • Fine Art Photography
  • Metal and Glass Art
  • Fine Printmaking
  • Textile and Fiber Art

This is not a craft show—only original, gallery-quality works are accepted.

Why Apply:
Luxurious Venue: Held inside the historic Opera Galleria in the heart of Fort Collins
Highly Curated Audience: Sophisticated collectors, art consultants, and interior designers in attendance
Expanded Reach: Online gallery with national visibility and purchasing access
Special Features: Artist reception, collectors night, fashion showcase, artist talks, and...

Historic Opera Galleria 


GENERAL INFORMATION
All artwork must fit the criteria for one of the following categories and have been completed within the last four years. Entries in more than one category require separate applications. Booth sharing is prohibited unless both artists collaborate to create every piece! All artwork, of course, must be produced by the artist named in this application.

In all categories, 100% all original artwork .  NOTE: Wearable art (clothing or accessories) and household items are prohibited.  The sale of notecards is prohibited.  The purpose of this event is to introduce and promote the sale of original fine art to a discerning community.


LISTING AND DESCRIPTION OF ACCEPTABLE MEDIA AND CATEGORIES

Categories included in this Show are drawing, furniture, glass, jewelry, metal, mixed media, painting, paper, photography, printmaking, and sculpture.

DRAWING AND PRINTING:  Work created using dry media such as chalk, charcoal, pastels, pencil, and crayons, or from fluid media, such as ink applied by brush or pen.  Printed works from which the artist creates the plates, stones, or screens, and pulls the prints, are accepted. (must be signed and numbered)

FURNITURE:  Functional works of wood and other materials.  No part of the finished pieces shall be the result of mass production.

GLASS:  Functional and non-functional items are accepted.  No part of the finished pieces shall be the result of mass production.  Pressed glass objects are not permitted.

JEWELRY:  Personal adornment.  Original and unique designs incorporating any of the following: gold, silver, gemstones, glass, wood, clay, and other non-precious materials. No part of the finished pieces shall be the result of Kits or mass production. Must be all handmade and designed by the artist

MIXED MEDIA:  Includes 2-D and 3-D non-sculptural work, incorporating more than one type of physical material or processes in its production, i.e., an etching that is then painted or a collage of handmade paper and photography.

PAINTINGS AND PRINTMAKING:  Original 2-D work created in oils, acrylics, watercolor, etc.

PHOTOGRAPHY:  Limited edition prints from the artist's original film or digital file.  The edition quantity shall not exceed 50 of any one image.

SCULPTURE (LARGE):  Defined as over 5 feet tall, functional and non-functional, 3-D work in any medium.

SCULPTURE (SMALL):  Defined as less than 3 feet tall, functional and non-functional, 3-D work in any medium.

WOOD:  Works crafted from wood, excluding furniture, sculptures that are hand tooled, machine turned, or machine carved.  No magnifying glasses, pens, bottle stoppers, or catalogue merchandise are permitted.

Not permitted:  strung pearls, craft clay, and use of commercial casts or molds; commercially available pendants and brooches, and catalogue merchandise.  Loose stones may not be sold.

ADDITIONAL REQUIREMENTS




Works produced with commercial kits (molds, patterns, plans, prefabricated forms, or other commercial methods) are not permitted.

Exhibited work must be consistent with the digital images or slides submitted by the artist and follow the Show guidelines.

Paintings, graphics, hand-pulled prints, and photographs must be appropriately framed or matted and must be displayed in a suitable panel, portfolio, or stand.

Only the work of the juried artist or collaborating team may be displayed and/or sold.

Artists are asked not to display discount signs.

Work produced with commercial kits (molds, patterns, plans, prefabricated forms, or other commercial methods) is not permitted.

 Use of SALE signs is prohibited. Artists may price work as they see fit, including verbal price negotiation directly with the customer, but artists are not permitted to display discount or markdown signage in their booth.
Dr. Thomas E. Lockhart- 2025 Exhibiting Artists


RULES/REGULATIONS
Reproduction Policy

All artwork displayed must be original and produced entirely by the hands of the exhibiting artist.  While other fairs may allow reproductions, we do not.

What do we consider a Reproduction?   Any method of making multiple copies of original art using photo, mechanical, digital, or casting technology is considered by The Beauty Of Blackness Fine Art Show to be a reproduction. Reproduction technology has one or more of the following characteristics:

The work is not the product of the artist’s own hand.

The number of reproducible copies is technically limitless.

All copies are identical.

The copies are produced by commercial entities, and the artist is not involved in the process.

Methods of creating multi-copy art in limited runs, such as intaglio, lithography, relief painting, and other traditional printmaking means, are not considered reproductions.

Regarding photography and digital art, the Art Fair recognizes that artwork created utilizing photographs and/or computer technology is inherently reproducible. We also recognize that the use of cropping, enlargement and darkroom, and digital processes can produce different effects even from the same negative/image. All of this is allowed at The Beauty Of Blackness Fine Art Show. We require that participating fine art photographers show only work that they have signed, numbered, and produced in limited editions on archival material. Such work is not considered to be a reproduction.

To prevent the sale of mass-produced work at The Beauty Of Blackness Fine Art Show, the Fair reserves the right to halt sales of such work on-site, and/or to not invite artists who are believed to be selling reproductions, unlimited editions, mass mass-produced work to future Fairs.

Rule Violation Policy

To ensure fairness for every artist, the rules contained in this application will be strictly enforced. Artists not complying with The Beauty Of Blackness Fine Art Show policies will be asked to leave the art fair, without refund. The Beauty Of Blackness Fine Art Show reserves the right to advise artists of any work that does not meet art fair standards and may take any action deemed necessary for compliance. The Beauty Of Blackness Fine Art Show. 






The Beauty of Blackness Fine Art Show - Congratulations

"Art is Business" https://www.thebeautyofblacknessfineartshow.com/showreel.



























Bronzeville Art District Virtual Trolley Tour, September, 18 2020



You're invited to our Virtual Open Studio 
Drop-in at any time: Bit.ly/bronzevillearttrolleytour
Online: https://us02web.zoom.us/j/85974336882 
 
Topic: Bronzeville Art District Virtual Trolley Tour 2020- Phantom Gallery Chi Open Studio
Time: Sep 18, 2020, 07:00 PM Central Time (the US and Canada)
LINK: https://www.facebook.com/events/3168078666607321

PHANTOM GALLERY FEATURED ARTISTS

TALKING ABOUT THEIR ART PRACTICE




TALVER GERMANY





                Talver Germany                                Dress for Freda, Watercolor

A native of Sacramento, California, she was educated like many other artists from grammar to graduate school. Talver received a BA degree in Studio Art, BA in Social Science/ Anthropology, and an MS. Degree in Counseling Education all from the California State University of Sacramento. 
She is an Associate Professor of Art at Folsom Lake College, a member of the Placerville Arts Association, San Francisco Fine Arts Museum, Sacramento African American Art Collection, Phantom Gallery Chicago Network on LinkedIn, a member of the California Arts Association, and co-founded the Visual Arts Development Project.




Join us for the After Party 



Bronzeville Art District 2019 Trolley Tours

"Art is Business" "Save The Dates" - RSVP BronzevilleArtTROLLEYTOUR


2017 Bombay Sapphire Artisan Series



"Art is Business"

Art Africa & Art Basel Miami Weekend 2017



"Art is Business"

Something from Nothing- John Bambino

"Art is Business" https://johnbambino.wordpress.com/

Guerrilla Marketing, "Bag of Free Art"- Something for nothing is his brand. We all were standing outside of  Art Miami, and John Bambino walked up to our sidewalk gathering spot. RM, and Dy Seven of BAIA, Lavon Pettis and I were toasting before we went into inhale art.   "James Brown" was on the stereo. Need I say more.


 Before John departed to heading to Wynwood, and other art happenings, he invited each of us to reach into his bag and grab an original piece of

RM, DY Seven, Lavon Pettis, Alpha Bruton




3. Free Stuff, is one of the strategy's that Guerrilla marketers strongly use to promote business. Free swag always gets people’s attention. Slap your logo or website or other branding materials on something fun and people will happily take it home. Pens, t-shirts, refrigerator magnets…it can be anything.



The potential for guerrilla marketing ideas is really only limited by your imagination. Think of it as a sort of performance art. If you can dream up some free item that’s somehow related to your business and also fun for the customer, then you’ve got a winner.

Original "Free Art" by John Bambino



African American Museum of Nassau County -NOVA Gallery duringErn Miami Art Week

"Art is Business" by Alpha Bruton


Ernani Silva, and Minna Dunn 

The African American Museum of Nassau County participated in the 2015 Miami Art Week, with an installation at KROMA Gallery and Art Space in Coconut Grove.  Minna Dunn, Art Educator and Curator, featured the art of Ernani Silva. 

TAAM of Nassau County mission is to educate and promote understanding  and  appreciation  of  African  American  culture, art  and tradition through education, interpretation, exhibitions, collections, and programs for the enrichment of the public; with an emphasis on Long Island. The museum’s vision is to become the outstanding regional resource for African American historical information.
Overtown Art Africa

In February 1968, Professor Leroy Leonardo Ramsey set up a Black History exhibit at Nassau Community College, in celebration of Black History Month. At February’s end, the exhibit was left in place (due to popular demand) and Professor Ramsey used his personal collection of artifacts to change the exhibit from time to time. Before long, the exhibit outgrew its space and he established the Black History Exhibit Center in a store front at 106-A Main Street, in Hempstead.  In 1984, Nassau County purchased the building at 110 North Franklin Street and Professor Ramsey’s Black History Exhibit Center became the African American Museum of Nassau County and moved into 110 North Franklin in 1985.

TAAM is one of only two African American museums in the northeast. (The other African American Museum is located in Philadelphia, Pennsylvania.)

The African Atlantic Genealogical Society, Inc. (TAAGS) became affiliated with the museum in 1998; making the African American Museum unique as the first museum to house a genealogical society that provides workshops and consultations for the community. 

Under management of TAAGS, the museum provides programming that includes art exhibits and art education, genealogical and historical research, themed exhibits that focus on historical figures and events. 

Ernani Silva was born in Rio de Janeiro, where he encountered many adversities. At an early age of four Ernani displayed artistic talent, but his father discouraged any involvement with the arts. He welcomed the opportunity to relocate to the United States, where he was further encouraged as an artist. Ernani is multi-lingual and well-regarded in an international audience.

 

Silva developed a distinctive style which reflects his Brazilian cultural influence of Native, African lineage. His creations are an amalgam of dance, rhythm, music and color which voice his rich mystical heritage and history. Silva is passionately attracted to the expression and emotion of his traditional music and the spiritualism of Candomble ceremonies and rituals. Silva’s palette is the alchemy of intoxicating opaque colors, as well as incorporating the use of heavy impression to create vibrant lyrical dancing figures. 



His work speaks a sensual language, which gives the viewer a glimpse of his intense celebrated reality, through an intoxicating palette of opaque colors and expression. He has extensive exhibition, teaching and curatorial experience in a wide variety of venues over a period of 40 plus years. His award winning work is on display throughout various galleries worldwide as well as donated to museums.




Black art, neighborhoods are the new cool at Art Basel Miami | PWORTHY

Black art, neighborhoods are the new cool at Art Basel Miami | PWORTHY

"Art is Business"

Artists, Art Organizers, Keon Hardemon, Urban Collective of Overtown

Lavon N. Pettis, and Emily Gunter Center for Education and Empowerment 

FAN FAVORITE VICTORIA FULLER ARTIST IN ABSTRACT RHYTHM AND BLUES-

"Art is Business"- 

Abstract Rhythm and Blues: Keep  Bring The Funk! was the theme for the Phantom Gallery Chicago this Art Basel, this Cubist Guitar sculpture, by artist Victoria Fuller was a Fan Favorite during the Art  Africa Miami Basel in Overtown, at the  Black Archives Historic Lyric  Theater Cultural Arts Complex.
This project was coordinated by the Urban Collective, and Greater Miami Convention & Visitors  Bureau

Cubist Guitar, Artist Victoria Fuller


Featured Victoria Fuller is a Chicago sculptor, painter, and natural science illustrator. Her educational background includes studies at the San Francisco Art Institute, Parson’s Paris Program in Paris, France, and a graduate degree from the School of the Art Institute of Chicago. Fuller has been honored with fellowships from the Colorado Council for the Arts and Humanities and the Illinois Arts Council with appearances in galleries, museums, and public spaces across the United States. 

Victoria Fuller, joins the Phantom Gallery Chicago, in the landscape of Miami during the Art Basel.  She is being represented with the artwork of Alan Emerson Hicks members of the 3D Sculpture Group of Chicago


Alan Emerson Hicks' artwork is influenced by our society and magic.  His sculptures use plastic discarded objects and American detritus to create objects that comment on what our society finds important.  He is drawn to plastic material because of its weight and variety of colors.  Plastic bottle caps and rings become colorful towers that reflect the architecture, engineered structures, and religious relics.




He uses plastic clothes hangers to create figures and large geometric shapes.  Sometimes he uses heat manipulation to alter the shapes of the plastic objects.  Hicks wants to impart in the viewer a sense of magic and wonder about the world around them.  The use of commonplace objects creates that sense.
"I want the audience to view the plastic materials of their everyday lives anew." Alan Emerson Hicks

Traveling Like the King- by Nicholas Conlon



Nicholas Conlon installation of the Traveling Like the King, 
Rodney Jackson KROMA Director, Resident Curator

Rodney Jackson, and Nicholas Conlon 

The Phantom Chicago Network was created as a network of support for artists, curators and arts organizers who are engaged in temporary public art installations, in storefronts and projects that engage community response. 


Renee Baker, Alpha Bruton, Najjar Abdul-Musawwir

Donnie Carter

Shonna McDaniels
Najjar Abdul-Musawwir

Najjar Abdul-Musawwir

Najjar Abdul-Musawwir


Rodney Wade
Fanta Celah






2015 Featured Artists: Exhibit installations curated by Alpha Bruton

Alan Emerson HicksRenee Baker, Donnie Carter, Nicholas ConlonFanta Celah, Victoria Fuller, Najjar Abdul-MusawwirShonna McDaniels, Liz Tuckwell, Rodney Wade, Gabriel Patti, Michael Anthony Young, Rahmaan Statik, Christine Ilewski, 

Network members of the Phantom 'Gallery Chicago.  



AYZHA FINE ARTS
Cynthia Henry & Gregory Stanford 
Milwaukee, WI 53203
United States

The African American Museum
Minna Dunn, and Ernani Silva 
Hempstead, NY 11550-3029






Phantom Gallery CHI

Ahndiya Kiburi- Intern Fiber and Material Studies

"Art is Business."  The Phantom Gallery Chicago Network welcomes Ahndiya Kiburi ahndiya.studio@gmail.com • ahndiyastudio.com • IG ...