Showing posts with label dedcations. Show all posts
Showing posts with label dedcations. Show all posts

Renowned Chicago sculptor Richard Hunt dies at 88

Article reposted,   © 2023 Sandro  © 2023 Richard Hunt. All rights reserved. https://www.richardhuntsculptor.com/   

RICHARD HUNT



 © 2023 Sandro  © 2023 Richard Hunt.
September 12, 1935 - December 16, 2023



Richard Howard Hunt, 88, of Chicago, died peacefully on Saturday, December 16, 2023 at his home. A private funeral service will be held in Chicago. A celebration of art and life, open to the public, will be held in Chicago in the spring, with dates to be announced.

Born in Chicago on September 12, 1935, Richard Hunt was one of this nation's most important sculptors. His prolific art career spanned nearly seven decades. Hunt's metal sculpture is notable for its widespread presence in museum collections and many public monuments installed across the U.S. Despite challenges for African-American artists during his lifetime, Hunt held over 150 solo exhibitions and is represented in more than 100 public museums across the globe. Hunt made the largest contribution to public art in the United States, with more than 160 public sculpture commissions gracing prominent locations in 24 states and Washington, D.C.

A descendant of slaves brought to this country through the port of Savannah, Georgia, Hunt grew up on the South Side of Chicago, first in Woodlawn and then Englewood. His father was a barber, and his mother was the first Black librarian in the city of Chicago. During his youth, he was immersed in Chicago's cultural and artistic heritage through art lessons at the South Side Community Art Center (SSCAC) and the Junior School of the Art Institute of Chicago. Regular visits to Chicago's major public museums trained his eye and captured his interest in art. Hunt would go on to develop an extensive collection of African Art, which served as an inspiration for his work. 

In 1953, the landmark exhibition Sculpture of the Twentieth Century was held at the Art Institute of Chicago. During this exhibit, Hunt studied the artworks of welded metal and became inspired by the works of Julio Gonzalez, Picasso, David Smith, and Alberto Giacometti, among others. Hunt attended the School of the Art Institute of Chicago (SAIC) on a scholarship from 1953-57, where he focused on sculpture while earning his B.A.E. 

When Hunt was nineteen years old, he witnessed the open-casket funeral of Emmett Till in Chicago. Till, who was abducted, tortured, and lynched in Mississippi in 1955, had grown up only two blocks from the Woodlawn home where Hunt was born. Hunt would later remark, "What happened to [Till] could have happened to me." Hunt went on to create art shaped by this experience, which influenced both his artistic expression and his commitment to the cause of Civil Rights. 

Inspired by Sculpture of the Twentieth Century, and shaken by the death of Emmett Till, Hunt taught himself how to weld and began composing found metal objects into art. Only two years later, he gained national recognition when the Museum of Modern Art (MoMA) in New York acquired his sculpture, Arachne. In 1967, after the Chicago Picasso was unveiled, Hunt began creating works of Cor-Ten steel and later bronze and stainless steel which he continued using throughout his career. Hunt also created works of cast metal, usually aluminum or bronze, and was an accomplished draftsman who created drawings, lithographs, and screenprints, in addition to many sketched works. 

After graduating from the SAIC, Hunt went to Europe for a year to study art and worked at the famous Marinelli foundry in Florence. While in Italy, Hunt married fellow SAIC classmate Bettye Hunt in Florence in 1957. They welcomed a daughter, Cecilia, in 1962 and subsequently divorced in 1966. He returned to the U.S. in 1958 when he was called to serve in the military. During that same year, Hunt held his first solo exhibition in New York at the Alan Gallery. 

On March 16, 1960, while serving in the U.S. Army and stationed at Fort Sam Houston in San Antonio, Texas, Hunt desegregated the Woolworth's lunch counter in Alamo Plaza. Hunt was the very first African American served there. This brave action made San Antonio the first peaceful and voluntary lunch counter integration in the South. 

Hunt was the first African American visual artist to serve on the National Council on the Arts, appointed by Lyndon B. Johnson in 1968. Hunt created abstract welded sculptures by acquiring bumpers and fenders from scrap yards, which became a signature of Hunt's work. He was only 35 years old at the time of his 1971 exhibition at MoMA, the first retrospective for an African American sculptor at the museum. The exhibit titled The Sculpture of Richard Hunt included fifty-five sculptures, eight drawings, and twelve prints. In addition, in 1981 Hunt served as one of eight jurors, the sole African American, for the Vietnam Veterans Memorial competition in Washington, D.C.

Hunt sculpted major monuments and sculptures for some of our country's greatest heroes, including Martin Luther King, Jr., Mary McLeod Bethune, Jesse Owens, Hobart Taylor, Jr., and Ida B. Wells. His sculptures commemorate events from the slave trade and the Middle Passage to the Great Migration. His massive 30-foot, 1,500-pound bronze, Swing Low, a monument to the African American Spiritual, hangs from the ceiling of the National Museum of African American History and Culture. Hunt's masterpiece, Hero Construction, stands as the centerpiece of the grand staircase at the Art Institute of Chicago. In 2022, Barack Obama commissioned Richard Hunt as the first artist to create a work, Book Bird, for the Obama Presidential Center.

A major artist's monograph, Richard Hunt, was published in 2022, becoming the definitive survey of Hunt's work and career. In addition, that same year, the Getty Research Institute (GRI) acquired the Richard Hunt Archive. The GRI noted that "throughout his career, Hunt was central to important landmarks in African American art history and Civil Rights-era action." Hunt's archive, over 800 linear feet, is one of the largest artists' archives in the country. 

Hunt considered artistic freedom to be the most important aspect of his career, "I am interested more than anything else in being a free person. To me, that means that I can make what I want to make, regardless of what anyone else thinks I should make." That artistic freedom was recognized and celebrated by the many institutions from which he received 18 honorary degrees and held over twenty professorships and artist residencies at institutions such as Harvard, Yale, Cornell, Northwestern, the School of the Art Institute, and the University of Illinois. 

Hunt served on dozens of boards, committees, and councils, including serving as a Commissioner for the National Museum of American Art, part of the Smithsonian Institution. Hunt received more than 30 major awards, including the John Simon Guggenheim Memorial Fellowship, the Lifetime Achievement Award from the International Sculpture Center, the Fifth Star Award from the City of Chicago, and the Legends and Legacy Award from the Art Institute of Chicago. This year, April 24, 2023, was proclaimed "Richard Hunt Day" by Illinois First Lady MK Pritzker, celebrating his life's achievements and recognizing Hunt as one of our country's greatest artists. 

Hunt recently completed the sculptural model for a monument to Emmett Till, Hero Ascending, to be installed at Till's childhood home in Chicago. It will commemorate Till and the tragic event that gave rise to the modern Civil Rights movement and shaped the career of the sculptor Richard Hunt. Hunt is survived by his daughter Cecilia, an artist, and his sister Marian, a retired librarian, both of whom live in Chicago.


Larissa Johnson-Akinremi - Her Legacy by Paula Robinson

"Art is Business" - Post from Paula Robinson- It is with sadness to learn of Larissa's passing 06/14/2021

                                                            Larissa Johnson-Akinremi

I loved that she would get on a plane, a train, or bus
to attend a music festival
she was a great DJ
and once DJ'd for us on aboard  a double-decker trolley
from her portable amplified suitcase
in the Bud Billiken Parade

I loved how her friends were international 
generational 
from her young people at the Hyde Park Neighborhood Club 
to her seniors at Rosenwald Courts 
and that she knew that giving time,
spending time is a gift
that would make you look forward to 
wanting me, having more... until the next time

I loved how she embraced the magic of 
children learning
discovering, and creating art.
teaching is an art form. 
she showed young people that they are
makers and creators of their own dreams
the rain sticks, the dream pillows, the blinged 
hand mirrors were her craft

I loved how she was a lifelong learner
that her enterprise was called "the social move."
the installations that she curated 
the exhibits for Juneteenth 
the underground RailRoad dioramas 
the commemorations at the Great Migration Bridge,
and lakefront tribute for the Chicago's Red Summer 
her outdoor sensory experiences with watermelon tastings
the bird walks in the park 


I loved how she constantly recreated herself
with the color of the day
the earring and dress combinations 
the hairstyle the adornment 
the lips of blue, purple, and green
always of a kiss of mystic 
body paint or henna
permission to be free
but only a small peace tattoo
at her collar bone
inked the deal

I loved how 
everybody's birthday
was too important to miss
I loved how when she needs to see you
and too much time would pass
she would say, where are you
and come to you
she met folks where they were
she was curious and interested in 
space and places that they were 
occupying 
she discovered your world

I loved that she had the fortitude for 
a fight, if it must be had
how she could write you and read you
if need be 
a new job was just a part of her journey
and her cover letters for a job application 
were composed
you might hire her
but you would never employ all of her
nor should you expect to 
and you might only understand that
during the exit interview
she knew who she was

I loved how she had a big family 
a global son that she called her "Sun."
and a Husbae -- her love and comfort
bu also had room for her art family,
her music family, her work family, 
her film family, her new project family
and her next family and now her
heavenly family 

I loved Larissa 
in our Bronzeville Family 
she was our number one daughter 
she was our girl.



2021 BIG DAY OF GIVING Sojourner Truth African Heritage Museum








"Art is Business"

Sojourner Truth African Heritage Museum Expansion Celebration

Chicago Artist Tamasha Williamson Interview -Snap Shot from the Archives

Gallery Guichard Great Migration Sculpture Garden Installation

 "Art is Business", Mayor Rahm Emanuel visits Gallery Guichard on Friday, August 25, 2017, to congratulate the owners on a job well done with creating the "Sacred Space."



 Joanne Glenn, Frances Guichard, Andre Guichard, and ShaLa listen as the Mayor Rahm Emanuel, talks about a funny episode when he was in Washington serving under President Obama.

Alderman Pat Dowell, President and CEO Anne Pramaggiore ,
Andrea Zopp Deputy Mayor, Chief Neighborhood Development Officer, cut the ribbon.

Artist Abiola is featured with two of his sculptures

Lucy Slivinski's Bottle Tree Installation 

Basil Watson- Sculptor

Reposted July 5th, 2017 article from DNA

'Solar Pyramid' To Be Centerpiece Of Gallery Guichard Sculpture Park


By Sam Cholke | July 5, 2017 5:57am | Updated on July 7, 2017 11:19am


 The new sculpture park next to Gallery Guichard will include a
The new sculpture park next to Gallery Guichard will include a "solar pyramid."

Courtesy of Gallery Guichard
BRONZEVILLE — A “solar pyramid” with a type of South Side hieroglyphics will rise in Bronzeville next month.
Gallery Guichard is working with artists and foundations to create a “Migration Park” sculpture park at 450 E. 47th St., with a new work from Chicago artist Shala as the centerpiece.
Andre Guichard, co-owner of the gallery at 436 E. 47th St. on Monday described the new work by Shala as a “solar pyramid.”
He said the artist is working with ComEd, which commissioned the piece, to create a translucent pyramid with a solar-powered lighting system that shines through a system of hieroglyphics Shala  created with kids in the community.
Guichard said he’s really excited to bring the community in to help build something new on the site that played a big role in the neighborhood’s contribution to the arts and culture.
“The lot where the park is going is where the Palm Tavern was. There’s a lot of history,” Guichard said.
The club was once a hub for African-American musicians in Chicago when the city was dominant in shaping how gospel, blues and other genres would sound.
Gallery Guichard is part of an effort to help restore the arts' high position in the neighborhood, and institutions like the Illinois Institute of Technology are getting involved.
Students from the university are helping create a fence for the park that will be assembled and painted by the students with people from the neighborhood.
Guichard said work on the park is expected to start in early August.
The city will lease the lot to the gallery’s partner, the Purpose Foundation, for five years for $1.
“This partnership with the Purpose Foundation in building a sculpture garden is another way that the city is showing its commitment to bringing public art to every community across Chicago,” Mayor Rahm Emanuel said in a prepared statement Wednesday. “By making lasting contributions and investments in neighborhoods, we are continuing to build on the goals of The Year of Public Art.”
The unveiling is scheduled for Aug. 18 at the new park.

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