Sacramento’s Sojourner Truth Museum Fundraiser Honors Black Icons

"Art is Business" REPOSTED: OBSERVER Posted in Arts & Culture 
by Williamena Kwapo
October 9, 2024


























Shonna McDaniels, founder of Sojourner Truth Heritage Museum, and her brother William McDaniels hold a certificate of recognition from Assemblymember Stephanie Nguyen. Russell Stiger Jr., 

The Sojourner Truth African Heritage Museum celebrated Sacramento’s 175th anniversary "In Style" on Sept. 28 with its “Chocolate and Wine” fundraiser, honoring some of the city’s Black historical icons. Held at the Sam and Bonnie Pannell Community Center, the event was a vibrant gathering of community members, filled with food, wine, and performances that spotlighted Sacramento’s rich Black history.

Three trailblazers who have left a lasting impact on Sacramento were honored. Doris Alkebulan, the city’s first Black engineer, was recognized for breaking barriers in a field where few women and even fewer people of color were present. Michael Benjamin, a pioneer in local Black theater, was celebrated for creating a space where Black stories could be told and appreciated on stage. Pastor Larry Meeks of the First Church of God and Christ was acknowledged for his long-standing leadership and service to the community, offering guidance and support to generations of Sacramentans.

Alkebulan spoke about her journey as Sacramento’s first Black engineer, highlighting the challenges and triumphs of African Americans in STEM during the 1970s. Her story echoed the importance of community support, mentorship, and education, particularly through HBCUs, in overcoming discrimination and leaving a lasting impact on society.

“Whatever doors I opened and opportunities I created during those isolated times, I did it knowing it’s important who we are and what we can do,” Alkebulan said. I know it’s better now than it was then and that there’s hope in the future.”

Keynote speaker Marianna Sousa, a social wellness leader, kept the audience engaged and delivered a moving speech about the importance of preserving and celebrating Black history.

“Events like this are important for Black Sacramento to help us to understand the power of carrying legacy, and if we don’t do the work, studying, and praying necessary to maintain that, we will lose the value of what our elders and ancestors have given us and poured into our communities,” Sousa said.


Honoree Michael Benjamin speaks at Sacramento’s 175th anniversary commemoration, which celebrated Black historical figures in Sacramento. Russell Stiger Jr., OBSERVER

The event also featured live performances that brought to life the stories of Black figures from Sacramento and across California. Naimah Moon performed a captivating reenactment of Annie Louise Dunlap, who opened Sacramento’s first soul food restaurant with her husband, George Dunlap, offering the city a taste of Southern cuisine and culture. The story of Elizabeth Thorn Scott Flood, another prominent Black figure, was illustrated through powerful stage performances, highlighting her contributions to the local community.

The event highlighted the achievements of Sacramento’s Black community and emphasized the ongoing importance of the Sojourner Truth African Heritage Museum as a space for preserving and sharing these stories. The museum continues to play a key role in ensuring that future generations understand the significant contributions of Black Sacramentans.

Attendees left with a deeper appreciation for the city’s history and the vital role that Black Sacramentans have played in shaping its identity. The night served as a reminder of the importance of remembering the past while looking toward the future, ensuring that these stories continue to be told.





Ashley Gets Sneak Peek at Mural You Can Help Paint!


California State Railroad Museum Foundation and Partners Launch
“Community Mural Engagement,” Project Managers, and mural team: Shonna McDaniel's, Alpha Bruton,  Markos Egure, Henry "Fisko" Fisk, Judah X. Pimentel.  Aisha L. Abdul Rahman, MLIS, Ph.D. Archivist & VR Curator

Carly Starr (she/her) │ Special Projects Manager, California State Railroad Museum Foundation
Kim Whitfield,  Chief of Interpretation at The California State Railroad Museum

Sacramento, CA (Wednesday, October 9, 2024)
Sojourner Truth African Heritage  Museum proudly announces our participation in the California State Railroad Museum Foundation and the California State Railroad Museum's Community Engagement project. The Sojourner Truth African Heritage Museum facilitated two "Community Mural Input Sessions" on Saturday, July 20th, at 10 am and Friday, July 26th, at 5:30 pm at the Stanford Gallery at 111 I Street in Old Sacramento.

We gathered input from the community that reflects the oral stories and images of the California Railroad. The project will conclude with an installation that includes 2D and 3D art, land/earth art, and technology-centered art through community engagement activities. This will be held at the California State Railroad Museum.

The California State Railroad Museum — your museum — is the keeper of stories. Together, we collect them, we preserve them, and we tell them. Share your railroad stories and connections.
https://www.californiarailroad.museum/my-story

ABOUT 
California State Railroad Museum Foundation
The California State Railroad Museum Foundation (CSRMF) is an official cooperating association with California State Parks and a 501(c)(3) organization. It provides funding for ongoing support of numerous programs at the California State Railroad Museum in Old Sacramento and Railtown 1897 State Historic Park in Jamestown. The CSRMF's mission is to generate revenue and awareness on behalf of its destinations while supporting the preservation, interpretation, and promotion of our railroad heritage.

Sojourner Truth African Heritage Museum 
Sojourner Truth African Heritage Museum (SOJO) offers programs and services that educate youth, families, and the community about diversity, inclusion, and history by engaging them in hands-on art-making, cultural opportunities, and educational experiences. Our mission is to open minds and change lives by exploring and celebrating African American history, experiences, and culture through art and wellness education and outreach.
# # #



Final Approved Draft for Mural "Past/Present/Future of Innovation & Invention"





 RA West and Markos Egure of Artners



The Team: Shonna, Juda, Fisko, Aisha, and Markos

Fisko with volunteer 


Shonna and Juda in front of the line work outlines of the mural.










Activities took place in the Hardware Store.


Collaborations with partnering Sacramento History Museums. 
Youth from the Rose Foundation, Cross-Sector partner.


Markos giving instructions Cross-Sector partner ARTNERS

 Aisha L. Abdul Rahman, MLIS, Ph.D. Archivist & VR Curator
Director Legacy Design Studio Concept for AR/VR 



Cooperative Principles 101

"Art is Business"


Please attend &/or share as appropriate:
Interested to be a future owner of a South Shore Arts & Culture mixed-use building?

Southside Chicago Artists, Creatives, People with Disabilities, and Business Owners + Organizations (ACPWD) are invited.

Chicago Public Library South Shore Branch
2505 E. 73rd Street
Chicago IL 60649
Get Directions
Phone: (312) 747-5281

In-Person Coop 101 workshop
Saturday, Oct 26
2:30pm – 4:00pm
Hosted by Artists Design the Future

Kiela Smith
Co-Founder & Project Managers

IN Person workshop (Doors open at 2:15pm)
Artists, Creatives, People with Disabilities, business owners + organizations are invited to learn cooperative principles.

Show your interest in participating in the planning, development, and ownership of a Chicago Southside Work/Live or Commercial space in a mixed-use limited equity cooperative building in a South Shore Cultural Hub. Affordable. Intergenerational. Family friendly. ADA


JOIN US Sat Oct. 26 @2:30pm:
- Learn and discuss coop principles
- Status update on this Shared ownership project: Commercial & Work / Live spaces
- Share your ideas

Tsehaye Hebert
Co-Founder & Project Managers




Laura Weathered 
Artists Design the Future
Co-Founder & Project Managers

RSVP - LINK TO ATTEND

https://chipublib.bibliocommons.com/events/66fc2a107da7e037008afa3d?fbclid=IwZXh0bgNhZW0CMTEAAR1vcJ5brijjf3wDCT-lD6J8QCXVs6hTC-1WhMq4_cfEWzDfajdakP_gBVs_aem_WImMELVQN8rCaJriLnyqHA

The Joy Ride - World Premiere (Official Trailer)




The Roots and Wings Project presents the World Premiere of
THE JOY RIDE: Through a reckoning comes the freedom journey...
Written and Directed by Jesse Bliss

Four dear friends gather to ride out together but quickly realize they each have much to reckon with. How do they dare to claim joy in a time of deep grief? Strong language and content, 18 & over only.

This touring production is delivered out of a vintage convertible.
PLEASE NOTE: This immersive experience begins punctually. Please plan to be in your seats 10 minutes before show time.
Starring (in alphabetical order):
Darian Dauchan*
Reginald P. Louis
Marlene Luna Castañeda
Ashlee Olivia

Produced by:

Jesse Bliss

Roger Q. Mason

Gabriela LĂłpez de Dennis

Jennifer Andrea (YaYa) Porras

Franky Carillo

Production Team:
Stage Manager: Cristina M. Calderon
Technical Director: Max I. Brother
*Original Score: Audiopharmacy*
Dramaturgy: Leon Martell and Jennifer Andrea "Yaya" Porras
Key Art Design: Mer Young
Casting Director: Jami Rudofsky
Social Media Manager: Nastassia Cordeiro
Publicist: Steve Moyer Public Relations

THE JOY RIDE Performance Dates:

Los Angeles Tour: September 20-October 12, 2024
Graff Angeles Gallery (Arts District)
1100 E. 5th St., Los Angeles, CA 90013
Fri & Sat at 8pm; Sun at 5pm
Street parking is available.

Sacramento & Bay Area Tour: 

October 18-20, 2024

****Latino Center of Art & Culture (LCAC)****

 on October 18, 2024, at 8pm
2700 Front St.
Sacramento, CA 95818
Free parking is available on-site.

****Calle 24 Placita ****

on October 19, 2025, at 8pm
1 Lilac St.
San Francisco, CA 94110
Limited street parking is available. Bart is encouraged. Exit 24 St. & Mission, right across the street from Placita, or rideshare.


****La Peña Cultural Center****

 on October 20, 2024, at 6pm
3105 Shattuck Ave.
Berkeley, CA 94705
Residential street parking is available 1-2 blocks away. Rideshare is encouraged. Bart was encouraged to exit Ashby St. (a 6-minute walk).

*****************************************************************


Note/ for a limited time Pre Sale Tickets for friends of our producers: Buy one get one free $15 for students, $20 for educators 

****Please contact Gaby to purchase via Venmo or Zelle directly from The Roots and Wings Project nonprofit. Contact Garbriella at  therootsandwingsproject@gmail.com

-------------------------------------------

Tickets: through Eventbrite
$25 General Admission
$20 Students & Seniors w/ID
$20 per ticket for groups of 10+ (To order group tickets or for more information, please email therootsandwingsproject@gmail.com)
Wheelchair accessible.
Performances will be outdoors.

THE JOY RIDE is supported, in part, by the California Arts Council and the Los Angeles County Department of Arts and Culture

Note; 
Free Special Engagement

Pre-Show Power Up at Medicine for Nightmares Bookstore & Galeria

October 19th, 2-5:30pm 

Featuring 

Jesse Bliss, Playwright, Director, and executive producer of The Joy Ride, along with Snowflake Calvert, Rocco, Cordova, & LaTour Soul family band

*event produced by movimiento yAyA*

--
yAyA healing movement improvisation with Whole Bison Mindset Sculpture; collaboration with Madboy & Celestial Coyote 
J. Andrea Amezcua Porras 
They/Them/Theirs
independent community/ art curator working at the intersection of cultural, spiritual, civic & social engagement
Artist/ CoFounder: MA Series Arts (Non-Profit) 2018
MA Series Arts Organization
IG Movimientoyaya
mobile: 916-228-9388

Pop Up Research Station ask the Question- Why Aren’t There More Black Librarians?

"Art is Business"  Reposted by Alpha Bruton,  WordInBlack.com February 11, 2022


Photograph by Tima Miroshnichenko/Pexels

Why Aren’t There More Black Librarians?
Though they account for less than 10% of the industry, Black librarians are crucial in our society.

by WordInBlack.com
February 11, 2022
By Maya Pottiger | Word In Black

Librarians have superpowers. This was true in the late ’90s when Marvel’s original Spider-Woman was a Black librarian named Valerie, and it was true in 1905 when the son of two formerly enslaved Black people opened the first library in the United States that served and was fully staffed by Black Americans, bringing new resources and opportunities to the community.

And it’s true now, as Black librarians across the country go to work every day, either at public libraries or school libraries. Books that tell the truth about America’s history of racism — or that are written by Black folks — are being forced off the shelves.

The whole idea of limiting who has access to reading material is typically and particularly something that a Black librarian has to mobilize against.

TRACIE HALL, EXECUTIVE DIRECTOR OF THE AMERICAN LIBRARY ASSOCIATION
The restriction of literacy is a painful part of Black history in this country, and it’s a critical piece of history for Black librarians in understanding their roles, says Tracie Hall, the executive director of the American Library Association. Before Emancipation, Black people in most Southern states were severely punished (fingers or toes chopped off, for example) for reading or teaching others to read, and white people could be fined, whipped, or imprisoned for giving them books.

“The whole idea of limiting who has access to reading material is typically and particularly something that a Black librarian has to mobilize against. We have to,” Hall says. “That has to be part of our work in the field to protect the right to read.”

Why We Need Black Librarians

Representation matters, period. But civil rights icon Rep. John Lewis once said that internet access would be the civil rights issue of the 21st century. A 2016 Pew Research Center survey on library usage found that “library users who take advantage of libraries’ computers and internet connections are more likely to be young, black, female, and lower income,” with 42% of Black library users accessing those resources. 

As a librarian, Hall believes Lewis was “really honing in on” information access in general. 

It’s about sharing power. It’s about the positive information to create shared power. I think that’s what our role is as Black librarians.



TRACIE HALL, EXECUTIVE DIRECTOR OF THE AMERICAN LIBRARY ASSOCIATION

A key part of the job for Black librarians is to open “lots of gates” to information. During the pandemic, Hall says, we’ve learned that libraries and digital access are critical for three reasons: access to education, access to employment, and access to public health.

“What we have seen, and I think what’s so important, is that information access is going to be one of the main doors that is going to open lifetime opportunities for people,” Hall says. “It’s about sharing power. It’s about the positive information to create shared power. I think that’s what our role is as Black librarians.”

While reinforcing that idea of the role may seem like a heavy lift to some, Hall says she’s noticed that younger Black people are “finding a break from this idea of the librarian as the shushing, quiet, retreating person who just loves, loves books.” Instead, they’re already understanding the role as a way to convert information access into application “to support and provide opportunities for Black lives in this country.”

Librarians Are — Still — Mostly White

As of 2021, only 7.1% of librarians are Black, according to the Bureau of Labor Statistics. This is just below the 10-year average, which is 7.4%. In 2021, roughly 87% of librarians were white people, which has been the average since 2013. In fact, Black, Asian, and Hispanic people have only ever crossed the 10% line twice — Black librarians accounted for 10.1% of the industry in 2011, and Hispanic librarians made up 10.4% in 2017.

“We are still in an era where upwards of 80% of the professional public librarians are white. In order to remain relevant as a field, let alone relevant with the information needs of our community, we have to become much more diverse,” Hall says. “That’s not an altruistic argument or effort. That is necessary in terms of the preservation of libraries and the sustainability of libraries.

While white representation in the librarian field has been very consistent, the rate of Black librarians has varied over the years. There were huge spikes in 2015 and 2020, which were both followed by sharp drops. Interestingly, both of those years were high profile for the Black Lives Matter movement, following the killings of Freddie Gray and George Floyd.

However, it’s unlikely the two increases are directly correlated with the highly publicized deaths. In order to be a librarian, you need to get a master’s degree in library and information science from an ALA-accredited school, which can take a year or two to earn, Hall says.

“We can’t say that one spike in a year is any trend,” Hall says. “What I do know is that there has been a history, and it’s growing, especially in terms of digital assets, of communities, especially Black people, seeing themselves as activists, or scholars, or creatives — being able to see very legibly the cultural intellectual productions of Black libraries and its occupants.”

Recruitment is a huge part of building the pipeline for Black librarians, and Hall says the ALA is doing the work to create it. Since it first began in 1998, ALA’s Spectrum Scholarship has helped more than 1,300 people of color achieve the required schooling. There are other national organizations helping to build pipelines of Black librarians, like the Black Caucus of the American Library Association’s national forum.

Networks Are Key for Black Librarians

As Black people see themselves more in this role, building connections and networks with fellow Black librarians is essential. Enter Black Librarians, an Instagram account with more than 33,000 followers that started in early 2018 to highlight Black librarians and the work they do.
On Facebook, Black Librarians have 1.8K likes • 1.9K followers.

Shannon Bland, who created the page, is the branch manager of a public library in Charles County, Maryland. After scrolling through the accounts she followed — profiles that focus on Black hair, Black love, Black swimmers, and Black gardeners — she wanted to create a digital space to highlight her passion: Black librarians. 

The page quickly gained traction and helped form a community. Bland says she started with meetups and games over Instagram Live, and then people began asking about mentorships. Since April 2019, Bland has helped cultivate around 10 mentor/mentee relationships. 

“It’s all about building community,” Bland says.

In addition to supporting one another, Bland says the community shares resources. As books are being challenged and banned, it can be difficult to speak up, especially if you’re the only Black person in the room. 

“The other thing that we don’t discuss as much are the microaggressions,” Hall says. “The fear of reprisal that many library professionals face when advocating either for certain materials or for the community that are sometimes left out or locked outside of information assets.”

In some cases, people have directly messaged Bland on Instagram about the joy of seeing other Black librarians because they’re the only ones in their library system.

“Whether that community is online or offline or in real life, it’s all about building communities so that we can support each other and encourage each other so that everybody knows they’re not out there alone.”

Join us on Pop Up Research CAFE- Weekly on Tuesday, 11am - 1pm PST. 




Chocolate and Wine Fundraiser for SOJO Museum

"Art is Business"  Big Day of Giving Fundraiser Page





Shonna McDaniel, Executive Director of the Sojourner Truth Heritage Museum and catalyst for many robust programs that impact families and the community, needs your support. Please make a donation to their organization and/or support their incredible event on September 28th. The flyers are attached. 
Here is their GoFundMe page.

The Sojourner Truth Museum has served the Sacramento community for over 30 years. As a nonprofit organization, we rely heavily on funding grants. Unfortunately, we received no grant funding last year, risking the museum's future. We're contacting the Northern California community and beyond for your support. Please consider donating and sharing our donation page to help keep the museum open. Thank you!!!

Chocolate & Wine
Sacramento 175th Anniversary
Celebrating the Contributions of Sacramento’s Historical Icons

Despite the limited size and political power of Black Sacramento in the early twentieth century, this community drew upon the strengths of its religious and social institutions and the talents of its leaders to organize and advocate for its community’s survival in an era of increased racial tension. Decades later, following the Second World War, a new generation of Black leaders rekindled this spirit among a growing Black population and a national civil rights movement. In the meantime, this community did its best to ensure a safe and secure place among the ever-increasing and diverse West End.

Purchasing a table keeps the museum operational at a basic level for about a week using only
volunteer labor. Still, we depend on additional funding to indeed be able to carry out the museum's
mission. Your sponsorship allows us to maintain the facility, rotate exhibits, and offer various educational programs to the community.

Gold Sponsorships - $5,000

● Two tables of 6 at the banquet
● 15 Museum passes
● Full-page ad and recognition in the banquet program
● Placement on donor plaque at the museum

Silver Sponsorships - $2,500

● Table of 6 at the banquet
● 10 Museum Passes
● Half-page ad and recognition in the banquet program

Bronze Sponsorships - $1,500

● Table of 6 at the banquet
● 5 Museum Passes
● Recognition in the banquet program

Remembering ‘Mama Gerri’ Oliver & Chicago’s legendary Palm Tavern

"Art is Business"  This project was funded by DCASE-NAP 2023 Awardee. 


Mural dedicated to the late Gerri Oliver- Remembering ‘Mama Gerri’ Oliver & Chicago’s legendary Palm Tavern,  by artist Alpha Bruton. 

 Join us on Friday, September 20, 2024, as we celebrate the season's last Bronzeville Art District Trolley Tour. The film screenings will begin at dusk and conclude at 9 p.m. at 436 E. 47th Street. The film screening is a pop-up temporary installation curated by the Phantom Gallery Chicago and film project manager Suzetta Withtaker. WTTW is a PBS member television station in Chicago, Illinois, United States.

  CHICAGO — There’s an empty lot near the corner of Martin Luther King Drive and 47th Street in Chicago’s historic Bronzeville neighborhood. It’s been vacant for nearly two decades since the culturally significant Palm Tavern was torn down in the name of progress and urban renewal.  

Longtime owner Gerri Oliver, a Bronzeville icon, died last December at 101.  
Feb 12, 2021 / 05:04 AM CST



“I felt it was just such a travesty the way the Palm Tavern was closed, and she left without any commemoration, without any celebration — the Palm Tavern should have had monumental status,” said Grammy-nominated blues musician Billy Branch, who wrote a song to commemorate the longtime owner and legendary nightspot, “Going to see Miss Gerri one more time.”

The Palm Tavern opened in 1933. Prohibition had just ended.

“It was the first tavern on the street, first place on the street that could legitimately sell liquor,” said Timuel Black, a prominent Chicago historian.  

“Genial” Jim Knight — the honorary mayor of Bronzeville — was the first owner. He named the spot after the palm trees of an African desert oasis.  Oliver took over for Knight and ran the Palm Tavern for nearly 50 years.  

 

Have you seen the new mural in Bronzeville?

Check out the impressive new mural on the container behind 'The Great Migration Sculpture Garden'! It boasts 3 works by Marlene Campbell, Alpha Bruton, and Andre Guichard, honoring the African Diaspora and the movements of Black People in Africa and to places like Bronzeville. The mural also pays homage to the historic Palm Tavern and jazz improvisation. Joe Cujo expertly created the graphic fusion and vinyl wrap installation.

The mural was completed with a grant from the City of Chicago’s Department of Cultural Affairs.



Andre Guichard, artist

 Joe Cujo expertly created the graphic fusion and vinyl wrap installation.

Marlene Campbell, artist











Tactical Urbanism in the Horizontal Landscape Short Film Screenings- Featured Renee' Baker

"Art is Business"   Join us on Friday, September 20th, 2024, as we celebrate the season's last Bronzeville Art District Trolley Tour. The film screenings will begin at dusk and conclude at 9 p.m. 
436 E. 47th Street, the film screening is a popup temporary installation. 

Phantom Gallery Chicago- Film Projection Project Manager Suzetta Withtaker

Featured Artist Renee Baker

Film 1: The Black Fertile Mind

The Black Fertile Mind is an exploration of boundless creativity, celebrating the intellect, resilience, and innovation of Black thought. This film interweaves evocative visuals with a dynamic score by Renee C. Baker, performed by the Chicago Modern Orchestra Project and the Modern Black Music Ensemble. The soundtrack melds elements of avant-garde jazz, experimental chamber music, and abstract soundscapes, reflecting the depth and complexity of the Black artistic imagination. As the film unfolds, it delves into the vast landscapes of Black intellectual history, presenting a narrative that is at once historical and visionary. The visuals are complemented by the sonic textures that highlight the journey of ideas, inventions, and artistic expressions born from a fertile cultural legacy.


Film 2: EMAK 1

EMAK 1 is a sensory journey into the enigmatic and the surreal, guided by Renee C. Baker's innovative score. This experimental film embraces the abstraction of thought and form, creating a dreamlike narrative that defies traditional storytelling. The Chicago Modern Orchestra Project and the Modern Black Music Ensemble provide a sonic tapestry that oscillates between ethereal atmospheres and dissonant crescendos, reflecting the film's exploration of consciousness and the unknown. The visuals are a montage of abstract shapes, shifting patterns, and fleeting images, inviting viewers to immerse themselves in the subconscious and question the boundaries between reality and illusion.

Film 3: EMAK 2

EMAK 2 continues the exploration of the surreal begun in its predecessor, deepening the immersion into an auditory and visual world that is both mysterious and profound. The score, crafted by Renee C. Baker and brought to life by the Chicago Modern Orchestra Project and the Modern Black Music Ensemble, is an intricate composition that blends dissonance with harmony, creating a soundscape that feels simultaneously familiar and alien. The film navigates themes of transformation and transcendence, using its avant-garde aesthetic to challenge perceptions and provoke thought. The visuals, a fluid collage of moving images, mirror the music's complexity, crafting an experience that is introspective, meditative, and ever-evolving.

BIO

Renee' C. Baker is a towering figure in multidisciplinary artistry, transcending the boundaries of music, visual art, film, and composition with unparalleled finesse. Her creative journey unfolds like an epic saga, with over 2000 orchestral and chamber ensemble compositions serving as a testament to her boundless imagination and relentless pursuit of innovation.

As the founding music director and conductor of the Chicago Modern Orchestra Project (CMOP), Baker orchestrates a symphony of genres, seamlessly weaving classical elegance with the improvisational spirit of jazz. Her conducting styles, both traditional and gestural, are modes of transformation, conjuring surreal landscapes where sonic and visual realms intertwine in a mesmerizing dance. A true Renaissance artist, Baker's canvas knows no limits as she melds movement, film projections, and sound into a breathtaking tapestry of sensory delight. Her compositions and film scores invite exploration and interpretation, blurring the lines between classicism and experimentation, subjectivity and objectivity.

Baker's influence extends far beyond her compositions. With the same fervor she brings to her craft, she nurtures and cultivates new ensembles. From the Mantra Blue Free Orchestra to the Bleueblue Walkers/Bass Kollektief, her ensembles forge new paths in the ever-evolving landscape of contemporary music.

Baker's most profound legacy lies in her gestural conducting language, CCL/FLOW, a symphony of movements that transcends words, guiding ensembles through her painted score exploratorium pieces. In her hands, music becomes not just a performance but a transcendent experience, a journey into the unknown where every note is a brushstroke.

The formation of WABI HOUSE MEDIA and Relinquish Cinema has resulted in music scores for over 500 silent and 100 experimental films, all with original scores crafted by Baker and the Chicago Modern Orchestra Project.

A visual artist, film artist, composer, and recontextualiser, Baker is a true engineer of multi-disciplines. Layering movement and film projections, she creates an exquisite arena of surrealistic activity within a sonic theatre. Her compositions, crafted with careful construction, allow indeterminacy, experimentalism, classicism, subjectivity, and objective interpretations to coexist. Both performer and audience are cast into unknown roles, inhabiting a temporary environment of limitless potential.


"Exercising Creative Agency"
Renee' C. Baker, PhD.
Artistic Director / Conductor
Chicago Modern Orchestra Project
Modern Black Music Ensemble
Producer- Wabi House Media
Editor- YUGEN Imprint
reneebaker@comcast.net


"Art is Business"



Our team: Caryl Henry Alexander, Alpha Bruton, Jennifer Andrea "YaYa" Porres, and LA Happy Hyder


2023 June

August 2024

2024 August - elements from Black Girl Altar Project


Caryl Henry Alexander Found and Repurposed the object "The Throne."

Caryl Henry Alexander's installation of  Air and Water Elements



LA Happy Hyder, Installation reflecting Earth and Fire Elements of the four directions.

Altar scared items to perform ceremonies of blessings,

The myriad of altars include personal, ancestral, seasonal, and elemental altars, to name a few. However, the design and purpose of each altar vary widely, reflecting the individual's unique spiritual journey. A personal altar is a sacred space dedicated to your spiritual growth and self-realization.

 Jennifer Andrea "YaYa" Porres is installing a tapestry for musicians and carving out the performance space.


One of the primary functions of a spiritual altar is to serve as a focal point for prayer, meditation, and spiritual practices. It’s a place that helps ground your spiritual energy and aids in concentrating your spiritual intentions. When you dedicate time and attention to your altar, you strengthen your connection with the divine and align yourself with cosmic energy.


In our chaotic and fast-paced world, creating a sacred space around your spiritual altar can serve as a sanctuary, a place of calm and serenity where you can connect with your spiritual self and engage in deep, personal introspection. It’s essential to understand that a sacred space is not just a physical location but a spiritual and mental oasis that allows you to align your energy with your intentions, enhancing your spiritual practice.


Steps to create a sacred space around your spiritual altar 
  1. Choose a Location: Start by identifying a location that resonates with you—where you feel calm, relaxed, and at peace. It could be a corner of your room, a space in your garden, or even a designated area in your living room. Remember, this should be a place you can easily access but also offers some privacy for your spiritual practice.
  2. Cleanse the Area: Once you’ve chosen a location, it’s crucial to cleanse it to dispel any stagnant or negative energy. This can be accomplished by burning herbs such as sage or palo santo or using a saltwater solution to purify the space. Please remember to use caution and respect in this process, recognizing that these practices are sacred to many cultures.
  3. Define Your Space: Establish boundaries for your sacred space. This could be a physical delineation, such as a rug or mat, or a symbolic one, like an arrangement of stones or crystals. This helps to create a unique atmosphere and signals to your subconscious mind that this is a place of spiritual significance.
  4. Decorate Your Space: Decorate your space to reflect your personal beliefs and spiritual journey. This could include religious or spiritual symbols, images of deities or spiritual masters, inspirational quotes, or even individual items that hold deep meaning for you.
  5. Consistency is Key: Consistency in using your sacred space is crucial. Try to spend time here each day, whether for meditation, prayer, or quiet reflection. This regular practice will imbue the area with energy, making it your sacred space.







Phantom Gallery CHI

Sacramento’s Sojourner Truth Museum Fundraiser Honors Black Icons

"Art is Business" REPOSTED: OBSERVER Posted in Arts & Culture  by Williamena Kwapo October 9, 2024 Shonna McDaniels, founder ...