Sacramento’s Sojourner Truth Museum Fundraiser Honors Black Icons

"Art is Business" REPOSTED: OBSERVER Posted in Arts & Culture 
by Williamena Kwapo
October 9, 2024


























Shonna McDaniels, founder of Sojourner Truth Heritage Museum, and her brother William McDaniels hold a certificate of recognition from Assemblymember Stephanie Nguyen. Russell Stiger Jr., 

The Sojourner Truth African Heritage Museum celebrated Sacramento’s 175th anniversary "In Style" on Sept. 28 with its “Chocolate and Wine” fundraiser, honoring some of the city’s Black historical icons. Held at the Sam and Bonnie Pannell Community Center, the event was a vibrant gathering of community members, filled with food, wine, and performances that spotlighted Sacramento’s rich Black history.

Three trailblazers who have left a lasting impact on Sacramento were honored. Doris Alkebulan, the city’s first Black engineer, was recognized for breaking barriers in a field where few women and even fewer people of color were present. Michael Benjamin, a pioneer in local Black theater, was celebrated for creating a space where Black stories could be told and appreciated on stage. Pastor Larry Meeks of the First Church of God and Christ was acknowledged for his long-standing leadership and service to the community, offering guidance and support to generations of Sacramentans.

Alkebulan spoke about her journey as Sacramento’s first Black engineer, highlighting the challenges and triumphs of African Americans in STEM during the 1970s. Her story echoed the importance of community support, mentorship, and education, particularly through HBCUs, in overcoming discrimination and leaving a lasting impact on society.

“Whatever doors I opened and opportunities I created during those isolated times, I did it knowing it’s important who we are and what we can do,” Alkebulan said. I know it’s better now than it was then and that there’s hope in the future.”

Keynote speaker Marianna Sousa, a social wellness leader, kept the audience engaged and delivered a moving speech about the importance of preserving and celebrating Black history.

“Events like this are important for Black Sacramento to help us to understand the power of carrying legacy, and if we don’t do the work, studying, and praying necessary to maintain that, we will lose the value of what our elders and ancestors have given us and poured into our communities,” Sousa said.


Honoree Michael Benjamin speaks at Sacramento’s 175th anniversary commemoration, which celebrated Black historical figures in Sacramento. Russell Stiger Jr., OBSERVER

The event also featured live performances that brought to life the stories of Black figures from Sacramento and across California. Naimah Moon performed a captivating reenactment of Annie Louise Dunlap, who opened Sacramento’s first soul food restaurant with her husband, George Dunlap, offering the city a taste of Southern cuisine and culture. The story of Elizabeth Thorn Scott Flood, another prominent Black figure, was illustrated through powerful stage performances, highlighting her contributions to the local community.

The event highlighted the achievements of Sacramento’s Black community and emphasized the ongoing importance of the Sojourner Truth African Heritage Museum as a space for preserving and sharing these stories. The museum continues to play a key role in ensuring that future generations understand the significant contributions of Black Sacramentans.

Attendees left with a deeper appreciation for the city’s history and the vital role that Black Sacramentans have played in shaping its identity. The night served as a reminder of the importance of remembering the past while looking toward the future, ensuring that these stories continue to be told.





Ashley Gets Sneak Peek at Mural You Can Help Paint!


California State Railroad Museum Foundation and Partners Launch
“Community Mural Engagement,” Project Managers, and mural team: Shonna McDaniel's, Alpha Bruton,  Markos Egure, Henry "Fisko" Fisk, Judah X. Pimentel.  Aisha L. Abdul Rahman, MLIS, Ph.D. Archivist & VR Curator

Carly Starr (she/her) │ Special Projects Manager, California State Railroad Museum Foundation
Kim Whitfield,  Chief of Interpretation at The California State Railroad Museum

Sacramento, CA (Wednesday, October 9, 2024)
Sojourner Truth African Heritage  Museum proudly announces our participation in the California State Railroad Museum Foundation and the California State Railroad Museum's Community Engagement project. The Sojourner Truth African Heritage Museum facilitated two "Community Mural Input Sessions" on Saturday, July 20th, at 10 am and Friday, July 26th, at 5:30 pm at the Stanford Gallery at 111 I Street in Old Sacramento.

We gathered input from the community that reflects the oral stories and images of the California Railroad. The project will conclude with an installation that includes 2D and 3D art, land/earth art, and technology-centered art through community engagement activities. This will be held at the California State Railroad Museum.

The California State Railroad Museum — your museum — is the keeper of stories. Together, we collect them, we preserve them, and we tell them. Share your railroad stories and connections.
https://www.californiarailroad.museum/my-story

ABOUT 
California State Railroad Museum Foundation
The California State Railroad Museum Foundation (CSRMF) is an official cooperating association with California State Parks and a 501(c)(3) organization. It provides funding for ongoing support of numerous programs at the California State Railroad Museum in Old Sacramento and Railtown 1897 State Historic Park in Jamestown. The CSRMF's mission is to generate revenue and awareness on behalf of its destinations while supporting the preservation, interpretation, and promotion of our railroad heritage.

Sojourner Truth African Heritage Museum 
Sojourner Truth African Heritage Museum (SOJO) offers programs and services that educate youth, families, and the community about diversity, inclusion, and history by engaging them in hands-on art-making, cultural opportunities, and educational experiences. Our mission is to open minds and change lives by exploring and celebrating African American history, experiences, and culture through art and wellness education and outreach.
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Final Approved Draft for Mural "Past/Present/Future of Innovation & Invention"





 RA West and Markos Egure of Artners



The Team: Shonna, Juda, Fisko, Aisha, and Markos

Fisko with volunteer 


Shonna and Juda in front of the line work outlines of the mural.










Activities took place in the Hardware Store.


Collaborations with partnering Sacramento History Museums. 
Youth from the Rose Foundation, Cross-Sector partner.


Markos giving instructions Cross-Sector partner ARTNERS

 Aisha L. Abdul Rahman, MLIS, Ph.D. Archivist & VR Curator
Director Legacy Design Studio Concept for AR/VR 



Cooperative Principles 101

"Art is Business"


Please attend &/or share as appropriate:
Interested to be a future owner of a South Shore Arts & Culture mixed-use building?

Southside Chicago Artists, Creatives, People with Disabilities, and Business Owners + Organizations (ACPWD) are invited.

Chicago Public Library South Shore Branch
2505 E. 73rd Street
Chicago IL 60649
Get Directions
Phone: (312) 747-5281

In-Person Coop 101 workshop
Saturday, Oct 26
2:30pm – 4:00pm
Hosted by Artists Design the Future

Kiela Smith
Co-Founder & Project Managers

IN Person workshop (Doors open at 2:15pm)
Artists, Creatives, People with Disabilities, business owners + organizations are invited to learn cooperative principles.

Show your interest in participating in the planning, development, and ownership of a Chicago Southside Work/Live or Commercial space in a mixed-use limited equity cooperative building in a South Shore Cultural Hub. Affordable. Intergenerational. Family friendly. ADA


JOIN US Sat Oct. 26 @2:30pm:
- Learn and discuss coop principles
- Status update on this Shared ownership project: Commercial & Work / Live spaces
- Share your ideas

Tsehaye Hebert
Co-Founder & Project Managers




Laura Weathered 
Artists Design the Future
Co-Founder & Project Managers

RSVP - LINK TO ATTEND

https://chipublib.bibliocommons.com/events/66fc2a107da7e037008afa3d?fbclid=IwZXh0bgNhZW0CMTEAAR1vcJ5brijjf3wDCT-lD6J8QCXVs6hTC-1WhMq4_cfEWzDfajdakP_gBVs_aem_WImMELVQN8rCaJriLnyqHA

The Joy Ride - World Premiere (Official Trailer)




The Roots and Wings Project presents the World Premiere of
THE JOY RIDE: Through a reckoning comes the freedom journey...
Written and Directed by Jesse Bliss

Four dear friends gather to ride out together but quickly realize they each have much to reckon with. How do they dare to claim joy in a time of deep grief? Strong language and content, 18 & over only.

This touring production is delivered out of a vintage convertible.
PLEASE NOTE: This immersive experience begins punctually. Please plan to be in your seats 10 minutes before show time.
Starring (in alphabetical order):
Darian Dauchan*
Reginald P. Louis
Marlene Luna Castañeda
Ashlee Olivia

Produced by:

Jesse Bliss

Roger Q. Mason

Gabriela LĂłpez de Dennis

Jennifer Andrea (YaYa) Porras

Franky Carillo

Production Team:
Stage Manager: Cristina M. Calderon
Technical Director: Max I. Brother
*Original Score: Audiopharmacy*
Dramaturgy: Leon Martell and Jennifer Andrea "Yaya" Porras
Key Art Design: Mer Young
Casting Director: Jami Rudofsky
Social Media Manager: Nastassia Cordeiro
Publicist: Steve Moyer Public Relations

THE JOY RIDE Performance Dates:

Los Angeles Tour: September 20-October 12, 2024
Graff Angeles Gallery (Arts District)
1100 E. 5th St., Los Angeles, CA 90013
Fri & Sat at 8pm; Sun at 5pm
Street parking is available.

Sacramento & Bay Area Tour: 

October 18-20, 2024

****Latino Center of Art & Culture (LCAC)****

 on October 18, 2024, at 8pm
2700 Front St.
Sacramento, CA 95818
Free parking is available on-site.

****Calle 24 Placita ****

on October 19, 2025, at 8pm
1 Lilac St.
San Francisco, CA 94110
Limited street parking is available. Bart is encouraged. Exit 24 St. & Mission, right across the street from Placita, or rideshare.


****La Peña Cultural Center****

 on October 20, 2024, at 6pm
3105 Shattuck Ave.
Berkeley, CA 94705
Residential street parking is available 1-2 blocks away. Rideshare is encouraged. Bart was encouraged to exit Ashby St. (a 6-minute walk).

*****************************************************************


Note/ for a limited time Pre Sale Tickets for friends of our producers: Buy one get one free $15 for students, $20 for educators 

****Please contact Gaby to purchase via Venmo or Zelle directly from The Roots and Wings Project nonprofit. Contact Garbriella at  therootsandwingsproject@gmail.com

-------------------------------------------

Tickets: through Eventbrite
$25 General Admission
$20 Students & Seniors w/ID
$20 per ticket for groups of 10+ (To order group tickets or for more information, please email therootsandwingsproject@gmail.com)
Wheelchair accessible.
Performances will be outdoors.

THE JOY RIDE is supported, in part, by the California Arts Council and the Los Angeles County Department of Arts and Culture

Note; 
Free Special Engagement

Pre-Show Power Up at Medicine for Nightmares Bookstore & Galeria

October 19th, 2-5:30pm 

Featuring 

Jesse Bliss, Playwright, Director, and executive producer of The Joy Ride, along with Snowflake Calvert, Rocco, Cordova, & LaTour Soul family band

*event produced by movimiento yAyA*

--
yAyA healing movement improvisation with Whole Bison Mindset Sculpture; collaboration with Madboy & Celestial Coyote 
J. Andrea Amezcua Porras 
They/Them/Theirs
independent community/ art curator working at the intersection of cultural, spiritual, civic & social engagement
Artist/ CoFounder: MA Series Arts (Non-Profit) 2018
MA Series Arts Organization
IG Movimientoyaya
mobile: 916-228-9388

Pop Up Research Station ask the Question- Why Aren’t There More Black Librarians?

"Art is Business"  Reposted by Alpha Bruton,  WordInBlack.com February 11, 2022


Photograph by Tima Miroshnichenko/Pexels

Why Aren’t There More Black Librarians?
Though they account for less than 10% of the industry, Black librarians are crucial in our society.

by WordInBlack.com
February 11, 2022
By Maya Pottiger | Word In Black

Librarians have superpowers. This was true in the late ’90s when Marvel’s original Spider-Woman was a Black librarian named Valerie, and it was true in 1905 when the son of two formerly enslaved Black people opened the first library in the United States that served and was fully staffed by Black Americans, bringing new resources and opportunities to the community.

And it’s true now, as Black librarians across the country go to work every day, either at public libraries or school libraries. Books that tell the truth about America’s history of racism — or that are written by Black folks — are being forced off the shelves.

The whole idea of limiting who has access to reading material is typically and particularly something that a Black librarian has to mobilize against.

TRACIE HALL, EXECUTIVE DIRECTOR OF THE AMERICAN LIBRARY ASSOCIATION
The restriction of literacy is a painful part of Black history in this country, and it’s a critical piece of history for Black librarians in understanding their roles, says Tracie Hall, the executive director of the American Library Association. Before Emancipation, Black people in most Southern states were severely punished (fingers or toes chopped off, for example) for reading or teaching others to read, and white people could be fined, whipped, or imprisoned for giving them books.

“The whole idea of limiting who has access to reading material is typically and particularly something that a Black librarian has to mobilize against. We have to,” Hall says. “That has to be part of our work in the field to protect the right to read.”

Why We Need Black Librarians

Representation matters, period. But civil rights icon Rep. John Lewis once said that internet access would be the civil rights issue of the 21st century. A 2016 Pew Research Center survey on library usage found that “library users who take advantage of libraries’ computers and internet connections are more likely to be young, black, female, and lower income,” with 42% of Black library users accessing those resources. 

As a librarian, Hall believes Lewis was “really honing in on” information access in general. 

It’s about sharing power. It’s about the positive information to create shared power. I think that’s what our role is as Black librarians.



TRACIE HALL, EXECUTIVE DIRECTOR OF THE AMERICAN LIBRARY ASSOCIATION

A key part of the job for Black librarians is to open “lots of gates” to information. During the pandemic, Hall says, we’ve learned that libraries and digital access are critical for three reasons: access to education, access to employment, and access to public health.

“What we have seen, and I think what’s so important, is that information access is going to be one of the main doors that is going to open lifetime opportunities for people,” Hall says. “It’s about sharing power. It’s about the positive information to create shared power. I think that’s what our role is as Black librarians.”

While reinforcing that idea of the role may seem like a heavy lift to some, Hall says she’s noticed that younger Black people are “finding a break from this idea of the librarian as the shushing, quiet, retreating person who just loves, loves books.” Instead, they’re already understanding the role as a way to convert information access into application “to support and provide opportunities for Black lives in this country.”

Librarians Are — Still — Mostly White

As of 2021, only 7.1% of librarians are Black, according to the Bureau of Labor Statistics. This is just below the 10-year average, which is 7.4%. In 2021, roughly 87% of librarians were white people, which has been the average since 2013. In fact, Black, Asian, and Hispanic people have only ever crossed the 10% line twice — Black librarians accounted for 10.1% of the industry in 2011, and Hispanic librarians made up 10.4% in 2017.

“We are still in an era where upwards of 80% of the professional public librarians are white. In order to remain relevant as a field, let alone relevant with the information needs of our community, we have to become much more diverse,” Hall says. “That’s not an altruistic argument or effort. That is necessary in terms of the preservation of libraries and the sustainability of libraries.

While white representation in the librarian field has been very consistent, the rate of Black librarians has varied over the years. There were huge spikes in 2015 and 2020, which were both followed by sharp drops. Interestingly, both of those years were high profile for the Black Lives Matter movement, following the killings of Freddie Gray and George Floyd.

However, it’s unlikely the two increases are directly correlated with the highly publicized deaths. In order to be a librarian, you need to get a master’s degree in library and information science from an ALA-accredited school, which can take a year or two to earn, Hall says.

“We can’t say that one spike in a year is any trend,” Hall says. “What I do know is that there has been a history, and it’s growing, especially in terms of digital assets, of communities, especially Black people, seeing themselves as activists, or scholars, or creatives — being able to see very legibly the cultural intellectual productions of Black libraries and its occupants.”

Recruitment is a huge part of building the pipeline for Black librarians, and Hall says the ALA is doing the work to create it. Since it first began in 1998, ALA’s Spectrum Scholarship has helped more than 1,300 people of color achieve the required schooling. There are other national organizations helping to build pipelines of Black librarians, like the Black Caucus of the American Library Association’s national forum.

Networks Are Key for Black Librarians

As Black people see themselves more in this role, building connections and networks with fellow Black librarians is essential. Enter Black Librarians, an Instagram account with more than 33,000 followers that started in early 2018 to highlight Black librarians and the work they do.
On Facebook, Black Librarians have 1.8K likes • 1.9K followers.

Shannon Bland, who created the page, is the branch manager of a public library in Charles County, Maryland. After scrolling through the accounts she followed — profiles that focus on Black hair, Black love, Black swimmers, and Black gardeners — she wanted to create a digital space to highlight her passion: Black librarians. 

The page quickly gained traction and helped form a community. Bland says she started with meetups and games over Instagram Live, and then people began asking about mentorships. Since April 2019, Bland has helped cultivate around 10 mentor/mentee relationships. 

“It’s all about building community,” Bland says.

In addition to supporting one another, Bland says the community shares resources. As books are being challenged and banned, it can be difficult to speak up, especially if you’re the only Black person in the room. 

“The other thing that we don’t discuss as much are the microaggressions,” Hall says. “The fear of reprisal that many library professionals face when advocating either for certain materials or for the community that are sometimes left out or locked outside of information assets.”

In some cases, people have directly messaged Bland on Instagram about the joy of seeing other Black librarians because they’re the only ones in their library system.

“Whether that community is online or offline or in real life, it’s all about building communities so that we can support each other and encourage each other so that everybody knows they’re not out there alone.”

Join us on Pop Up Research CAFE- Weekly on Tuesday, 11am - 1pm PST. 




Phantom Gallery CHI

Sacramento’s Sojourner Truth Museum Fundraiser Honors Black Icons

"Art is Business" REPOSTED: OBSERVER Posted in Arts & Culture  by Williamena Kwapo October 9, 2024 Shonna McDaniels, founder ...