IMMEDIATE RELEASE:
THE PHANTOM GALLERY CHICAGO NETWORK IS PROUD TO ANNOUNCE RENEE BAKER AS 2016 GUEST ARTIST -IN -RESIDENT
Photo Credits: Christopher Andrews sponsored by the Aurora Public Art Commission, curated by Lew Achenbach and Rena Church.
Renee Baker as Guest- Artist in Residency -2016
The Phantom Gallery Chicago Network is proud to announce Renee Baker as a guest- artist in residency. Her residency will take place between June 1st– December 31, 2016. She will be working directly with Phantom Gallery Chicago’s chief curator Alpha Bruton, and Alan Emerson Hicks. The Phantom Gallery Chicago will provide AIR with technical and administrative support, support for the creation of new work and the exploration of new ideas with a two-month exhibition at the end of the residency.
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Made in Chicago Festival, Poznan
Altered Consciousness Score projected November 2015
photo by Lauren Deutsch,
Note: 24 painted scores embedded with CCL (Cipher Conduit Linguistics)
Critical acclaim for her graphic scores novels has come from performances in Berlin,
Poland, London, Scotland and as far-reaching as Vietnam. As a disruptive composer and visual artist, there are few barriers to the creative turns of this composer, conductor, artist, and instrumentalist. As a featured ensemble, CMOP has been chosen to work with NewMusicUSA and the EarShot program of the American Composers Orchestra.
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Chicago Modern Orchestra Project (CMOP)
An expert at ensemble development and training, Renee’ developed the Mantra Blue Free Orchestra (Chicago), PEK' Contemporary Project (Berlin), the progenitor of involved in starting over 20 cutting edge new music ensembles. Among them: Bleueblue Walkers/Bass Kollektief, Twilight Struggles (Berlin) as well as being
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Installation at the Phantom Gallery Chicago Loft Gallery 2016 |
TUNTUI, Wrinkled Linen, Chocolate Chitlin' Caucus, Red Chai Watch, FAQtet, and Strings Attached.
Project 6, Renee' Baker's AWAKENING, Baker ArTet, a Butoh ensemble BODY STRATA,
Ms. Baker has performed globally from Bimhuis (Amsterdam) to Symphony Center (Chicago) and was a founding member as well as Principal Violist of Chicago Sinfonietta for 26 years. Ms. Baker has composed over two thousand works for ensembles ranging from pieces for solo instruments, ballet, opera to large orchestral works that bridge the classical, parameters in her work has led to commissions for the Chicago Sinfonietta, jazz, and creative music genres.
Her ability to embrace various creative Berlin International Brass, PEK’ Contemporary Project, and DanceWright Project, among others.
As a disruptive force in composition, Ms. Baker’s eclectic visual score compositions led her to create a gestured conducting language she calls CCL/FLOW (Cipher
groups in Cologne, Berlin, Netherlands, London, Chicago, Portland (OR), and Conduit Linguistics), which she employs when working with numerous cutting edge other ensembles around the world.
A further aspect of her composition skills is the development of her painted score exploratorium pieces for ensembles of variable sizes. Ms. Baker is also in demand large ensemble “comprovisation”/ improvisation development, as a lecturer and expert in nontraditional composition techniques, as well as. Aspects of the art world permeate Ms. Baker’s work. Her performance artwork
SUNYATA: TOWARDS ABSOLUTE EMPTINESS will premiere at the Museum of Contemporary Art (MCA, Chicago) in May 2015, and her tactile score sculpture works were featured at the MCA Chicago as part of the Sunyata premiere.
SUNYATA: TOWARDS ABSOLUTE EMPTINESS will premiere at the Museum of Contemporary Art (MCA, Chicago) in May 2015, and her tactile score sculpture works were featured at the MCA Chicago as part of the Sunyata premiere.
Ms. Baker is the composer of four operas. Currently, she is working as a film score composer, having composed and released a new score for Oscar Michaeux's “race film” masterpiece BODY AND SOUL (1925) with the music performed by her Chicago Modern Orchestra Project ensemble.
"Ms. Baker is one of the brightest and most fertile minds in active in composition today."
Renee' C. Baker, Conductor/Composer
Contemporary Project
reneebaker@comcast.net
reneebakercomposer.net
chicagomodernorchestraproject.org
For more information:
http://www.billdoggettproductions.com/Black-Composers.html
http://www.billdoggettproductions.com/Black-Composers-2.html
http://www.billdoggettproductions.com/CH125.html
ABOUT THE PHANTOM GALLERY CHICAGO-NETWORK/
Self-directed
ARTIST IN RESIDENCY PROGRAM
ARTIST IN RESIDENCY PROGRAM
Phantom
Gallery Chicago realize artists need to keep creating and inventing at their
personal best, that they need time to reflect and time to work seriously, or
just for the fun of it. We believe the journey to becoming a skilled and
accomplished artist is lifelong. When you invest in your talent, you can
reinvigorate your passion for making art. But, an important part of the process
is building into your schedule a time for renewal, for new experiences, and for
a different perspective. Self-directed artist residency’s, “artist vacations”
are not taken just to get away from their work, but rather to find ways to
inspire their work with new exuberance and energy.
The goal is
to give artists a space in which to imagine new ways to work. The residency is
followed by a two-month exhibition of the project created, which is fully
documented and accompanied by a full-color exhibition brochure. All art made
during the residency belongs to the artist. Artist are encouraged to share
their ideas, complete a visual diary of drawings, collage, video or
photography. This visual journal will reflect the on-site experience, employing
themes, contemporary narratives, personal or historical regarding the course,
or discourse of their work.
While artist
residencies have traditionally provided opportunities for artists to work in
solitude, many residency programs today are designed specifically around
artists engaging the local community. Increasingly, organizations still
primarily offering retreat-style residencies are expanding into
community-engaged work as well, and looking for best-practices from peers.
In response
to these significant shifts in the residency field, we began this project with two guiding questions:
1) How can artist residencies be a platform for engaging communities in meaningful and responsible ways?
2) 2) What do artists need to succeed in
community-engaged work, and how best can residency programs serve those needs.